Shakespearean CriticismGale Research International, Limited, 1992 - 568 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 283
... mind , was the fatal error of the whole work . If ever a fine character was exhibited in dramatic action— one that ought to enkindle the proud vigor of a noble mind , and arouse the fiery energy of a magnetic soul - it is that of the ...
... mind , was the fatal error of the whole work . If ever a fine character was exhibited in dramatic action— one that ought to enkindle the proud vigor of a noble mind , and arouse the fiery energy of a magnetic soul - it is that of the ...
Seite 320
... mind , we sit before with today's head- lines screaming in our eyes . New York has already enjoyed its successful Shakespear- ean revivals in modern dress . There was Hamlet . There was The Taming of the Shrew . Then , under this same ...
... mind , we sit before with today's head- lines screaming in our eyes . New York has already enjoyed its successful Shakespear- ean revivals in modern dress . There was Hamlet . There was The Taming of the Shrew . Then , under this same ...
Seite 406
... minds fully made up : they describe a state of mind . By contrast , Shakespeare's characters think on their feet : speech takes form under the thrust and pressure of the mind . Thus , when Brutus begins " It must be by his death " [ II ...
... minds fully made up : they describe a state of mind . By contrast , Shakespeare's characters think on their feet : speech takes form under the thrust and pressure of the mind . Thus , when Brutus begins " It must be by his death " [ II ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's