Shakespearean CriticismGale Research International, Limited, 1992 - 568 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 87
Seite 19
... characters as these break up a performer's mannerisms , and do him accordingly infinite good . A similar effect was produced on Miss Glyn . In this al- most impossible character of Cleopatra she put forth new energies , and exhibited a ...
... characters as these break up a performer's mannerisms , and do him accordingly infinite good . A similar effect was produced on Miss Glyn . In this al- most impossible character of Cleopatra she put forth new energies , and exhibited a ...
Seite 286
... character is simpler , and the situations in which it is presented are readily apprehended and utilized . To go back of Shake- speare , and resort to history - for which proceeding , ex- cept with a view to correct personal appearance ...
... character is simpler , and the situations in which it is presented are readily apprehended and utilized . To go back of Shake- speare , and resort to history - for which proceeding , ex- cept with a view to correct personal appearance ...
Seite 379
... character's dominance as a public figure and , after his death , his undiminished influence on events . Some reviewers , however , found this device clumsy and intrusive . Envisioning Brutus as " a man full of an energy he couldn't stop ...
... character's dominance as a public figure and , after his death , his undiminished influence on events . Some reviewers , however , found this device clumsy and intrusive . Envisioning Brutus as " a man full of an energy he couldn't stop ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
8 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's