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Seite 6
... American and the French Rayg Its influence over thought and action - Coleridge's -Nature of Lyrical poetry — Early developments ridge's genius . His philosophy - His critical par consciousness of his own poetical , endowment His at ...
... American and the French Rayg Its influence over thought and action - Coleridge's -Nature of Lyrical poetry — Early developments ridge's genius . His philosophy - His critical par consciousness of his own poetical , endowment His at ...
Seite 34
... America , kindling at the recollection of that one mountain - daisy ! The criti- cism which more than any other delights me is that which may sometimes , though rarely , be discovered in the response made by the imagination of one poet ...
... America , kindling at the recollection of that one mountain - daisy ! The criti- cism which more than any other delights me is that which may sometimes , though rarely , be discovered in the response made by the imagination of one poet ...
Seite 88
... American and the French Revolutions- over thought and action - Coleridge's " France " -Na poetry - Early developments of Coleridge's genius - I -His critical papers - His consciousness of his own p ment - His boyhood at Christ's Church ...
... American and the French Revolutions- over thought and action - Coleridge's " France " -Na poetry - Early developments of Coleridge's genius - I -His critical papers - His consciousness of his own p ment - His boyhood at Christ's Church ...
Seite 91
... American Revolutions , besides the difference in the genius and temperament of the two nations . In the latter the struggle was to vindicate and secure old principles ; to guard the Constitution ; not to manufacture new schemes of ...
... American Revolutions , besides the difference in the genius and temperament of the two nations . In the latter the struggle was to vindicate and secure old principles ; to guard the Constitution ; not to manufacture new schemes of ...
Seite 92
... American Revolution , for instance , the war was in truth a mighty constitutional dispute . It was a question of law ; and the claim of our fathers was sim- ply for old British rights , —rights as ancient as the Great Charter ; and it ...
... American Revolution , for instance , the war was in truth a mighty constitutional dispute . It was a question of law ; and the claim of our fathers was sim- ply for old British rights , —rights as ancient as the Great Charter ; and it ...
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Häufige Begriffe und Wortgruppen
admiration ALONZO POTTER ancient auld bard beautiful beneath bonny bonny Dundee breath bright Burns Byron's character Charles Lamb child Christabel Coleridge's criticism dark dead dear deep delight descriptive poetry early earth Edmund Spenser emotion English poetry fame fancy feeling frae French Revolution friends genius gentle glory happy Hartley Coleridge hath heart heaven HENRY REED honour human imagination Jansenists Johnson language lecture light literary literature living look Lord lyrical poetry melody memory Milton mind minstrelsy moral nature never night o'er pass passage passion Petrarch poem poet poet's poetic Pope prose QUESNEL reader Samuel Taylor Coleridge Scott Scottish sense sentiment Shakspeare song sonnet soul sound Southey Southey's Spenser spirit stanzas strain strong sweet sympathy taste Thalaba thee thing thou thought tion true truth utterance verse voice volume words Wordsworth writings youth
Beliebte Passagen
Seite 123 - Alas ! they had been friends in youth ; But whispering tongues can poison truth; And constancy lives in realms above; And life is thorny; and youth is vain; And to be wroth with one we love Doth work like madness in the brain.
Seite 262 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Seite 118 - Christ! what saw I there! Each corse lay flat, lifeless, and flat, And, by the holy rood! A man all light, a seraph-man, On every corse there stood. This seraph-band, each waved his hand: It was a heavenly sight! They stood as signals to the land, Each one a lovely light; This seraph-band, each waved his hand, No voice did they impart — No voice; but oh!
Seite 120 - There is not wind enough to twirl The one red leaf, the last of its clan, That dances as often as dance it can, Hanging so light, and hanging so high, On the topmost twig that looks up at the sky.
Seite 260 - IT is a beauteous evening, calm and free ; The holy time is quiet as a Nun Breathless with adoration...
Seite 195 - That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
Seite 115 - The moving Moon went up the sky, And nowhere did abide; Softly she was going up, And a star or two beside...
Seite 33 - Unskilful he to note the card Of prudent lore, Till billows rage, and gales blow hard, And whelm him o'er! Such fate to suffering worth is...
Seite 113 - All in a hot and copper sky, The bloody Sun, at noon, Right up above the mast did stand, No bigger than the Moon. Day after day, day after day, We stuck, nor breath nor motion; As idle as a painted ship Upon a painted ocean.
Seite 264 - That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang. In me thou see'st the twilight of such day As after sunset fadeth in the west; Which by and by black night doth take away, Death's second self, that seals up all in rest.