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" For Mr. Whistler's own sake, no less than for the protection of the purchaser, Sir Coutts Lindsay ought not to have admitted works into the gallery in which the ill-educated conceit of the artist so nearly approached the aspect of wilful imposture. I... "
James McNeill Whistler - Seite 17
von N. D'Anvers - 1904 - 72 Seiten
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The Living Age, Band 308

1921 - 864 Seiten
...audience that probably knew little or nothing about him in the following terms: For Mr. Whistler's own sake no less than for the protection of the purchaser,...Sir Coutts Lindsay ought not to have admitted works into the gallery in which the ill-educated conceit of the artist so nearly approached the aspect of...
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Introduction to the Literature of Europe in the Fifteenth, Sixteenth ..., Band 1

Henry Hallam - 1877 - 434 Seiten
...degree forced ; and their imperfections gratuitously, if not impertinently, indulged. For Mr. Whistler's own sake, no less than for the protection of the purchaser,...Sir Coutts Lindsay ought not to have admitted works into the gallery in which the ill-educated conceit of the artist so nearly approached the aspect of...
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Fors Clavigera: Letters to the Workmen and Labourers of Great Britain, Band 7

John Ruskin - 1877 - 426 Seiten
...the protection of the purchaser, Sir Coutts Lindsay ought not to have admitted works into the gallery in which the ill-educated conceit of the artist so nearly approached the aspect of wilful imposture. I have seen, and heard, much of Cockney impudence before now ; but never expected to hear a coxcomb...
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Church and State

1878 - 636 Seiten
...expressed his opinion that Sir Coutts Lindsay ought not to have admitted works into the Grosvenor Gallery in which "the illeducated conceit of the artist so nearly approached the aspect of wilful imposture.1' These are undoubtedly very strong words, but coming from Mr. Ruskin they are doubly strong....
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The Literary World, Bände 9-10

1878 - 638 Seiten
...his own, had found Mr. Whistler's style so exasperating as to say: For Mr. Whistler's own sake and for the protection of the purchaser, Sir Coutts Lindsay ought not to have admitted into the Grosvenor Gallery works in which the ill-educated conceit of the artist so nearly approached...
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Annual Register, Band 120

Edmund Burke - 1879 - 720 Seiten
...Clavigera, which is contributed to and edited by the defendant, and was as follows :— " For Mr. Whistler's own sake, no less than for the protection of the purchaser,...Sir Coutts Lindsay ought not to have admitted works into the gallery in which the ill-educated conceit of the artist so nearly approached the aspect of...
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Artists of the Nineteenth Century and Their Works: A Handbook ..., Band 2

Clara Erskine Clement Waters, Laurence Hutton - 1879 - 486 Seiten
...following passage, which appeared in " Fors Clavigera," which Mr. Ruskin edits : — " For Mr. Whistler's own sake, no less than for the protection of the purchaser,...Sir Coutts Lindsay ought not to have admitted works into the gallery in which the ill-educated conceit of the artist so nearly approached the aspect of...
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The Annual Register

1879 - 740 Seiten
...Clavigera, which is contributed to and edited by the defendant, and was as follows :— " For Mr. Whistler's own sake, no less than for the protection of the purchaser,...Sir Coutts Lindsay ought not to have admitted works into the gallery in which the ill-educated conceit of the artist so nearly approached the aspect of...
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The Annual Register

Edmund Burke - 1879 - 766 Seiten
...Clavigera, which is contributed to and edited by the defendant, and was as follows :— " For Mr. Whistler's own sake, no less than for the protection of the purchaser,...Sir Coutts Lindsay ought not to have admitted works into the gallery in which the ill-educated conceit of the artist so nearly approached the aspect of...
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The Political year-book, ed. by N. Lockhart

Norman Lockhart - 1879 - 178 Seiten
...pictures in the Grosvenor .Gallery, Mr.Ruskin WHITBREAD, SAMUEL— ZULULAND. wrote : " For Mr. Whistler's own sake, no less than for the protection of the purchaser,...Sir Coutts Lindsay ought not to have admitted works into the gallery in which the ill-educate.d conceit of the artist so nearly approached the aspect of...
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