The Fine Arts: A Manual

actual adorned aerial perspective æsthetic Alfred Stevens ancient appear arch architectural architrave artistic expression arts of form beauty bronze building Buonamico Buffalmacco Cennino Cennini character classical composition construction conventions Correggio dance decorative delineation distinct drapery early Egyptian element essential façade fact festal festival fifteenth century figures Florence Florentine forms of art Francesco Granacci fresco frescoist frieze Gentile da Fabriano gives Gothic graphic art Greek hand harmony Hellenic human idea ideal imitation impasto impression intonaco Italian kind light light-and-shade lines marble mass material matter medieval ment metopes modern monumental moulded nature objects pageant painter painting Parthenon perspective Pheidias picture pigment plaster plastic Plate play polychromy practice principle produced relation relief Rembrandt rendering representation represented round sacred Saltatione scenes sculpture seen shadow shape significance stone structure style surface temple texture thing tints tion tone and colour touch treatment triglyphs Vasari wall whole