Shakespeare and the Poet's LifeUniversity Press of Kentucky, 21.11.2021 - 248 Seiten Shakespeare and the Poet's Life explores a central biographical question: why did Shakespeare choose to cease writing sonnets and court-focused long poems like The Rape of Lucrece and Venus and Adonis and continue writing plays? Author Gary Schmidgall persuasively demonstrates the value of contemplating the professional reasons Shakespeare—or any poet of the time—ceased being an Elizabethan court poet and focused his efforts on drama and the Globe. Students of Shakespeare and of Renaissance poetry will find Schmidgall's approach and conclusions both challenging and illuminating. |
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Gary Schmidgall. For my parents, Peggy and Robert Contents Acknowledgments Note on Citations Introduction 1 “Thou Thing Most.
Gary Schmidgall. For my parents, Peggy and Robert Contents Acknowledgments Note on Citations Introduction 1 “Thou Thing Most.
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Gary Schmidgall. Contents. Acknowledgments Note on Citations Introduction 1 “Thou Thing Most Abhorred” The Poet and His Muse 2 “Dedicated Words” The Strategies of Front Matter 3 Poet's Labors Lost Patronage in Shakespeare 4 “Chameleon ...
Gary Schmidgall. Contents. Acknowledgments Note on Citations Introduction 1 “Thou Thing Most Abhorred” The Poet and His Muse 2 “Dedicated Words” The Strategies of Front Matter 3 Poet's Labors Lost Patronage in Shakespeare 4 “Chameleon ...
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... thou, whose hony-flowing Vaine, / (Pleasing the World) thy Praises doth containe. / Whose Venus, and whose Lucrece (sweete, and chaste) / Thy Name in fames immortali Booke have plac't.”3 Why did he walk away from such fame? Cheeky ...
... thou, whose hony-flowing Vaine, / (Pleasing the World) thy Praises doth containe. / Whose Venus, and whose Lucrece (sweete, and chaste) / Thy Name in fames immortali Booke have plac't.”3 Why did he walk away from such fame? Cheeky ...
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... thou hast blowne thy nose, use not to open thy handkerchief, to glare upon thy snot, as if [thou] hadst pearles and rubies fallen from thy braines.” Or, “let not a man to ... lie tottering with one legg so high above the other, that a ...
... thou hast blowne thy nose, use not to open thy handkerchief, to glare upon thy snot, as if [thou] hadst pearles and rubies fallen from thy braines.” Or, “let not a man to ... lie tottering with one legg so high above the other, that a ...
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... Helena in All's Well That Ends Well “nicely catalogues” them: “A mother, and a mistress, and a friend, / A phoenix, captain, and an enemy, /. “Thou Thing Most Abhorred” The Poet and His Muse. “Thou Thing Most Abhorred” The Poet and His ...
... Helena in All's Well That Ends Well “nicely catalogues” them: “A mother, and a mistress, and a friend, / A phoenix, captain, and an enemy, /. “Thou Thing Most Abhorred” The Poet and His Muse. “Thou Thing Most Abhorred” The Poet and His ...
Inhalt
Chameleon Muse The Poets Life in Shakespeares Courts | |
Fearful Meditation The Young Man and the Poets Life | |
Exemplary Front Matter | |
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Häufige Begriffe und Wortgruppen
appears aristocratic Armado artistic audience authors Berowne Berowne’s Boyet chameleon chapter Cleopatra comedy conceit Coriolanus courtier courtiership courtly Daniel dedications dedicatory Donne Donne’s doth Earl elaborate Elizabethan eloquence English epistle expressed eyes false Falstaff fashion favor figure front matter Harington hath Henry Henry’s Holofernes Iago John Jonson King ladies language letter lines Lord Love’s Labour’s Lost men’s muse never observed one’s ornate style patron patronage perhaps Petrarchan phrase play play’s poem poet poet’s poetical poetry praise present Prince Princess Proteus Puttenham Rape of Lucrece reader Renaissance Renaissance poet rhetorical rhyme Richard role satire satirist scene Shakespeare Shakespeare’s Sonnets Sidney Sidney’s Sonnet 29 Sonnet 35 Sonnet 58 Sonnet 94 Sonnets 124 Southampton speaker speech sprezzatura suggest suitor sweet thee Thomas thou Timon of Athens Venus and Adonis Venus’s verse words write wrote Wyatt Young Man sonnets Young Man’s