Shakespeare and the Poet's LifeUniversity Press of Kentucky, 21.11.2021 - 248 Seiten Shakespeare and the Poet's Life explores a central biographical question: why did Shakespeare choose to cease writing sonnets and court-focused long poems like The Rape of Lucrece and Venus and Adonis and continue writing plays? Author Gary Schmidgall persuasively demonstrates the value of contemplating the professional reasons Shakespeare—or any poet of the time—ceased being an Elizabethan court poet and focused his efforts on drama and the Globe. Students of Shakespeare and of Renaissance poetry will find Schmidgall's approach and conclusions both challenging and illuminating. |
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... imagine, wears the face of a “courtier practike” who “hath not toucht the puntilio, or point of his hopes,” as it is described in Jonson's Cynthia's Revels: “a most promising, open, smooth, and over-flowing face, that seemes as it would ...
... imagine, wears the face of a “courtier practike” who “hath not toucht the puntilio, or point of his hopes,” as it is described in Jonson's Cynthia's Revels: “a most promising, open, smooth, and over-flowing face, that seemes as it would ...
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... Imagine Adonis as a potential patron and certain lines take on special force, as when in perfect aristocratic form he sours his cheek and cries, “Fie, no more of love! / The sun doth burn my face, I must remove” (185-86). Doubtless many ...
... Imagine Adonis as a potential patron and certain lines take on special force, as when in perfect aristocratic form he sours his cheek and cries, “Fie, no more of love! / The sun doth burn my face, I must remove” (185-86). Doubtless many ...
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... , egregious, and compatible (3:4); imagine his reaction to remuneration, preambulate, intituled, enfreedoming, and peregrinate! In the poetical jargon uttered by Armado (l'envoi, enigma, epilogue, catastrophe, epitheton) and by.
... , egregious, and compatible (3:4); imagine his reaction to remuneration, preambulate, intituled, enfreedoming, and peregrinate! In the poetical jargon uttered by Armado (l'envoi, enigma, epilogue, catastrophe, epitheton) and by.
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... imagine, like Venus and Adonis or Sonnets 18, 30, or 55. Yet in the sestet the speaker condemns it all as mere “breath of words” and in effect prefers the honest silence of a Costable Dull to the “glozes” of a Berowne. This oscillating ...
... imagine, like Venus and Adonis or Sonnets 18, 30, or 55. Yet in the sestet the speaker condemns it all as mere “breath of words” and in effect prefers the honest silence of a Costable Dull to the “glozes” of a Berowne. This oscillating ...
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Inhalt
Chameleon Muse The Poets Life in Shakespeares Courts | |
Fearful Meditation The Young Man and the Poets Life | |
Exemplary Front Matter | |
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Häufige Begriffe und Wortgruppen
appears aristocratic Armado artistic audience authors Berowne Berowne’s Boyet chameleon chapter Cleopatra comedy conceit Coriolanus courtier courtiership courtly Daniel dedications dedicatory Donne Donne’s doth Earl elaborate Elizabethan eloquence English epistle expressed eyes false Falstaff fashion favor figure front matter Harington hath Henry Henry’s Holofernes Iago John Jonson King ladies language letter lines Lord Love’s Labour’s Lost men’s muse never observed one’s ornate style patron patronage perhaps Petrarchan phrase play play’s poem poet poet’s poetical poetry praise present Prince Princess Proteus Puttenham Rape of Lucrece reader Renaissance Renaissance poet rhetorical rhyme Richard role satire satirist scene Shakespeare Shakespeare’s Sonnets Sidney Sidney’s Sonnet 29 Sonnet 35 Sonnet 58 Sonnet 94 Sonnets 124 Southampton speaker speech sprezzatura suggest suitor sweet thee Thomas thou Timon of Athens Venus and Adonis Venus’s verse words write wrote Wyatt Young Man sonnets Young Man’s