Shakespeare and the Poet's LifeUniversity Press of Kentucky, 21.11.2021 - 248 Seiten Shakespeare and the Poet's Life explores a central biographical question: why did Shakespeare choose to cease writing sonnets and court-focused long poems like The Rape of Lucrece and Venus and Adonis and continue writing plays? Author Gary Schmidgall persuasively demonstrates the value of contemplating the professional reasons Shakespeare—or any poet of the time—ceased being an Elizabethan court poet and focused his efforts on drama and the Globe. Students of Shakespeare and of Renaissance poetry will find Schmidgall's approach and conclusions both challenging and illuminating. |
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... Shakespeare, William, 1564-1616—Authorship. 2. Shakespeare, William, 1564-1616—Contemporaries. 3. Poets in literature. 4. Courts and courtiers in literature. 5. Great Britain—Court and courtiers. 6. Poets, English—Early modern, 1500 ...
... Shakespeare, William, 1564-1616—Authorship. 2. Shakespeare, William, 1564-1616—Contemporaries. 3. Poets in literature. 4. Courts and courtiers in literature. 5. Great Britain—Court and courtiers. 6. Poets, English—Early modern, 1500 ...
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... Shakespeare's career when, clearly, an exuberant literary upstart was testing in numerous ways whether he was any good. It is tempting to think of Shakespeare arriving from the Midlands, Lancashire, or wherever in the cultural cynosure ...
... Shakespeare's career when, clearly, an exuberant literary upstart was testing in numerous ways whether he was any good. It is tempting to think of Shakespeare arriving from the Midlands, Lancashire, or wherever in the cultural cynosure ...
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... Shakespeare finally chose the latter muse.11 This thesis has its obvious attractions, but I shall argue, conversely, that the poet's life was by no means the idealized one presented by Kernan. More to my purposes are the following: the ...
... Shakespeare finally chose the latter muse.11 This thesis has its obvious attractions, but I shall argue, conversely, that the poet's life was by no means the idealized one presented by Kernan. More to my purposes are the following: the ...
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... Shakespeare. ... He was the first to see the dramatic value of doublets, and that a climax may depend upon a crinoline.”14 Wilde's aperçu aptly reminds us of the Renaissance notion of the “garment” of poetic style. It was, for instance ...
... Shakespeare. ... He was the first to see the dramatic value of doublets, and that a climax may depend upon a crinoline.”14 Wilde's aperçu aptly reminds us of the Renaissance notion of the “garment” of poetic style. It was, for instance ...
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... Shakespeare's Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets (1986). Though Fineman indulges an extremely dense discursive style and eschews reference “to an actual biographical Shakespearean personality . . . of a ...
... Shakespeare's Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets (1986). Though Fineman indulges an extremely dense discursive style and eschews reference “to an actual biographical Shakespearean personality . . . of a ...
Inhalt
Chameleon Muse The Poets Life in Shakespeares Courts | |
Fearful Meditation The Young Man and the Poets Life | |
Exemplary Front Matter | |
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appears aristocratic Armado artistic audience authors Berowne Berowne’s Boyet chameleon chapter Cleopatra comedy conceit Coriolanus courtier courtiership courtly Daniel dedications dedicatory Donne Donne’s doth Earl elaborate Elizabethan eloquence English epistle expressed eyes false Falstaff fashion favor figure front matter Harington hath Henry Henry’s Holofernes Iago John Jonson King ladies language letter lines Lord Love’s Labour’s Lost men’s muse never observed one’s ornate style patron patronage perhaps Petrarchan phrase play play’s poem poet poet’s poetical poetry praise present Prince Princess Proteus Puttenham Rape of Lucrece reader Renaissance Renaissance poet rhetorical rhyme Richard role satire satirist scene Shakespeare Shakespeare’s Sonnets Sidney Sidney’s Sonnet 29 Sonnet 35 Sonnet 58 Sonnet 94 Sonnets 124 Southampton speaker speech sprezzatura suggest suitor sweet thee Thomas thou Timon of Athens Venus and Adonis Venus’s verse words write wrote Wyatt Young Man sonnets Young Man’s