Shakespeare and the Poet's LifeUniversity Press of Kentucky, 21.11.2021 - 248 Seiten Shakespeare and the Poet's Life explores a central biographical question: why did Shakespeare choose to cease writing sonnets and court-focused long poems like The Rape of Lucrece and Venus and Adonis and continue writing plays? Author Gary Schmidgall persuasively demonstrates the value of contemplating the professional reasons Shakespeare—or any poet of the time—ceased being an Elizabethan court poet and focused his efforts on drama and the Globe. Students of Shakespeare and of Renaissance poetry will find Schmidgall's approach and conclusions both challenging and illuminating. |
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... the editions cited except for normalization of i, j, u, and v and a small number of silent corrections of anomalous typography or punctuation. Introduction THIS STUDY is, above all, about the English Renaissance. Note on Citations.
... the editions cited except for normalization of i, j, u, and v and a small number of silent corrections of anomalous typography or punctuation. Introduction THIS STUDY is, above all, about the English Renaissance. Note on Citations.
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Gary Schmidgall. Introduction. THIS STUDY is, above all, about the English Renaissance poet's life, his motivations for poetizing, his attitudes toward the economy of letters, and the attitudes of society (high society in particular) ...
Gary Schmidgall. Introduction. THIS STUDY is, above all, about the English Renaissance poet's life, his motivations for poetizing, his attitudes toward the economy of letters, and the attitudes of society (high society in particular) ...
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... Renaissance poets—referring often to Wyatt, Spenser, Sidney, Greville, Donne, Jonson, and the sonneteers of the 1590s, each chapter employs evidence in Shakespeare's poems and plays as a rhetorical point of departure or arrival. Every ...
... Renaissance poets—referring often to Wyatt, Spenser, Sidney, Greville, Donne, Jonson, and the sonneteers of the 1590s, each chapter employs evidence in Shakespeare's poems and plays as a rhetorical point of departure or arrival. Every ...
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... Renaissance poets: “Come, let me write, 'And to what end?' ” Thus Sidney begins his psychomachia-inverse, Astrophil and Stella Sonnet 34 (quoted in full on page 25). Renaissance poets had frequent occasion to whisper this question in ...
... Renaissance poets: “Come, let me write, 'And to what end?' ” Thus Sidney begins his psychomachia-inverse, Astrophil and Stella Sonnet 34 (quoted in full on page 25). Renaissance poets had frequent occasion to whisper this question in ...
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... Renaissance literary stage, as Richard Helgerson has noted: “In those crossings of the threshold, when the author first appears before his audience, the pressure on self-presentation is greatest. To some extent, each beginning ...
... Renaissance literary stage, as Richard Helgerson has noted: “In those crossings of the threshold, when the author first appears before his audience, the pressure on self-presentation is greatest. To some extent, each beginning ...
Inhalt
Chameleon Muse The Poets Life in Shakespeares Courts | |
Fearful Meditation The Young Man and the Poets Life | |
Exemplary Front Matter | |
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Häufige Begriffe und Wortgruppen
appears aristocratic Armado artistic audience authors Berowne Berowne’s Boyet chameleon chapter Cleopatra comedy conceit Coriolanus courtier courtiership courtly Daniel dedications dedicatory Donne Donne’s doth Earl elaborate Elizabethan eloquence English epistle expressed eyes false Falstaff fashion favor figure front matter Harington hath Henry Henry’s Holofernes Iago John Jonson King ladies language letter lines Lord Love’s Labour’s Lost men’s muse never observed one’s ornate style patron patronage perhaps Petrarchan phrase play play’s poem poet poet’s poetical poetry praise present Prince Princess Proteus Puttenham Rape of Lucrece reader Renaissance Renaissance poet rhetorical rhyme Richard role satire satirist scene Shakespeare Shakespeare’s Sonnets Sidney Sidney’s Sonnet 29 Sonnet 35 Sonnet 58 Sonnet 94 Sonnets 124 Southampton speaker speech sprezzatura suggest suitor sweet thee Thomas thou Timon of Athens Venus and Adonis Venus’s verse words write wrote Wyatt Young Man sonnets Young Man’s