Critics on MarloweJudith O'Neill University of Miami Press, 1970 - 127 Seiten |
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Seite 15
... whole ) proof that now remains of his diabolical tenets and debauched morals ; and if you , Mr Warton , still choose to think him innocent of the charge , I shall be very glad to see him thoroughly whitewashed in your next edition . The ...
... whole ) proof that now remains of his diabolical tenets and debauched morals ; and if you , Mr Warton , still choose to think him innocent of the charge , I shall be very glad to see him thoroughly whitewashed in your next edition . The ...
Seite 19
... whole , and in the nerve and variety of the versification .... Though immeasurably superior to the dramatists of his time , he is , like them , a very unequal writer ; it is in detached passages and single scenes , rather than in any of ...
... whole , and in the nerve and variety of the versification .... Though immeasurably superior to the dramatists of his time , he is , like them , a very unequal writer ; it is in detached passages and single scenes , rather than in any of ...
Seite 123
... whole work has some- thing of their hardness and brightness . Marlowe sings a love utterly separated from kindness , cameraderie , or friendship .... But , however shocking , this treatment is an artistic success . We know from some ...
... whole work has some- thing of their hardness and brightness . Marlowe sings a love utterly separated from kindness , cameraderie , or friendship .... But , however shocking , this treatment is an artistic success . We know from some ...
Inhalt
1965 | 21 |
MODERN CRITICS ON MARLOWE | 28 |
The Second Part of Tamburlaine the Great | 37 |
Urheberrecht | |
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accept action Angel appears attempt Barabas beauty becomes beginning called character Christ Christians clear comes course critics crown death desire despair devil Dr Faustus drama edition Edward Elizabethan English face fact Faustus's fear feeling final follow forces Gaveston give given hand heart Heaven Helen Hell hero Holinshed human idea imagination important interest ironic irony kind King knowledge later leaves less live London look Lord Lucifer magic Malta Marlowe Marlowe's means Mephistophilis mind moral Mortimer murder nature never offers once opening passages passion perhaps pity play pleasure poet presented repent says scene seems sense Shakespeare shows soliloquy soul speech stage suffering suggest sweet Tamburlaine tells thee theme things thou thought tion tragedy tragic turn verse weakness whole writing Zenocrate