Critics on MarloweJudith O'Neill University of Miami Press, 1970 - 127 Seiten |
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Seite 98
... suggest it , where the tone is of exultant satisfaction , is to ignore the nature of the poetic statement : here , as elsewhere in the play , Marlowe has put conviction into the voice of Hell , not of Heaven . Certainly there is irony ...
... suggest it , where the tone is of exultant satisfaction , is to ignore the nature of the poetic statement : here , as elsewhere in the play , Marlowe has put conviction into the voice of Hell , not of Heaven . Certainly there is irony ...
Seite 106
... suggestion of irony in Faustus's vaunting refusal to believe Mephostophilis on his own torment ; here that suggestion becomes more marked . Mephostophilis promises to be his slave . II . i . 45 And give thee more than thou hast wit to ...
... suggestion of irony in Faustus's vaunting refusal to believe Mephostophilis on his own torment ; here that suggestion becomes more marked . Mephostophilis promises to be his slave . II . i . 45 And give thee more than thou hast wit to ...
Seite 114
... suggested . As it stands , there are ( as I have said ) hints of a submission to a Divine Love that is compatible with ... suggest that if in Faustus Marlowe achieved his clearest statement of his ideas , he was already losing confidence ...
... suggested . As it stands , there are ( as I have said ) hints of a submission to a Divine Love that is compatible with ... suggest that if in Faustus Marlowe achieved his clearest statement of his ideas , he was already losing confidence ...
Inhalt
1965 | 21 |
MODERN CRITICS ON MARLOWE | 28 |
The Second Part of Tamburlaine the Great | 37 |
Urheberrecht | |
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accept action Angel appears attempt Barabas beauty becomes beginning called character Christ Christians clear comes course critics crown death desire despair devil Dr Faustus drama edition Edward Elizabethan English face fact Faustus's fear feeling final follow forces Gaveston give given hand heart Heaven Helen Hell hero Holinshed human idea imagination important interest ironic irony kind King knowledge later leaves less live London look Lord Lucifer magic Malta Marlowe Marlowe's means Mephistophilis mind moral Mortimer murder nature never offers once opening passages passion perhaps pity play pleasure poet presented repent says scene seems sense Shakespeare shows soliloquy soul speech stage suffering suggest sweet Tamburlaine tells thee theme things thou thought tion tragedy tragic turn verse weakness whole writing Zenocrate