Critics on MarloweJudith O'Neill University of Miami Press, 1970 - 127 Seiten |
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Seite 56
... says Barabas ( 1556 ) , and the italics alert the reader to what the spectator feels when the spoken words are aimed ... says one Friar ; and Barabas admits what is common knowledge , that he is a Jew and a usurer . Thou hast committed ...
... says Barabas ( 1556 ) , and the italics alert the reader to what the spectator feels when the spoken words are aimed ... says one Friar ; and Barabas admits what is common knowledge , that he is a Jew and a usurer . Thou hast committed ...
Seite 86
... says ( II . i . 66–9 ) : Why streams it not , that I may write afresh ? Faustus gives to thee his soul : oh , there it stay'd ! Why shouldst thou not ? is not thy soul thine own ? Then write again , Faustus gives to thee his soul ...
... says ( II . i . 66–9 ) : Why streams it not , that I may write afresh ? Faustus gives to thee his soul : oh , there it stay'd ! Why shouldst thou not ? is not thy soul thine own ? Then write again , Faustus gives to thee his soul ...
Seite 115
... says , than to be enticed " To practise magic and concealed arts ' ( I. i . 103 ) . To see so clearly what eternal joy was and to feel so strongly the desirabil- ity of having ' all things that move between the quiet poles ... at my ...
... says , than to be enticed " To practise magic and concealed arts ' ( I. i . 103 ) . To see so clearly what eternal joy was and to feel so strongly the desirabil- ity of having ' all things that move between the quiet poles ... at my ...
Inhalt
1965 | 21 |
MODERN CRITICS ON MARLOWE | 28 |
The Second Part of Tamburlaine the Great | 37 |
Urheberrecht | |
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accept action Angel appears attempt Barabas beauty becomes beginning called character Christ Christians clear comes course critics crown death desire despair devil Dr Faustus drama edition Edward Elizabethan English face fact Faustus's fear feeling final follow forces Gaveston give given hand heart Heaven Helen Hell hero Holinshed human idea imagination important interest ironic irony kind King knowledge later leaves less live London look Lord Lucifer magic Malta Marlowe Marlowe's means Mephistophilis mind moral Mortimer murder nature never offers once opening passages passion perhaps pity play pleasure poet presented repent says scene seems sense Shakespeare shows soliloquy soul speech stage suffering suggest sweet Tamburlaine tells thee theme things thou thought tion tragedy tragic turn verse weakness whole writing Zenocrate