Critics on MarloweJudith O'Neill University of Miami Press, 1970 - 127 Seiten |
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... later published in the Fortnightly Review , vol . 105 ( O.S. ) 99 ( N.S. ) , 1916 , pp . 764-9 . H. HAVELOCK ELLIS ( 1859-1939 ) ... In its later 20 CRITICS ON MARLOWE.
... later published in the Fortnightly Review , vol . 105 ( O.S. ) 99 ( N.S. ) , 1916 , pp . 764-9 . H. HAVELOCK ELLIS ( 1859-1939 ) ... In its later 20 CRITICS ON MARLOWE.
Seite 21
... later more developed form Marlowe's ' mighty line ' is the chief creation of English literary art ; Shakespeare absorbed it , and gave it out again with its familiar cadences in Romeo and Juliet , and later with many broad and lovely ...
... later more developed form Marlowe's ' mighty line ' is the chief creation of English literary art ; Shakespeare absorbed it , and gave it out again with its familiar cadences in Romeo and Juliet , and later with many broad and lovely ...
Seite 42
... later half , by the mad pride of Tamburlaine , which gives his death the quality of a punishment . The first part of Tamburlaine glorifies the human will : the second displays its inevitable limits . It is a first handling of the theme ...
... later half , by the mad pride of Tamburlaine , which gives his death the quality of a punishment . The first part of Tamburlaine glorifies the human will : the second displays its inevitable limits . It is a first handling of the theme ...
Inhalt
1965 | 21 |
MODERN CRITICS ON MARLOWE | 28 |
The Second Part of Tamburlaine the Great | 37 |
Urheberrecht | |
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accept action Angel appears attempt Barabas beauty becomes beginning called character Christ Christians clear comes course critics crown death desire despair devil Dr Faustus drama edition Edward Elizabethan English face fact Faustus's fear feeling final follow forces Gaveston give given hand heart Heaven Helen Hell hero Holinshed human idea imagination important interest ironic irony kind King knowledge later leaves less live London look Lord Lucifer magic Malta Marlowe Marlowe's means Mephistophilis mind moral Mortimer murder nature never offers once opening passages passion perhaps pity play pleasure poet presented repent says scene seems sense Shakespeare shows soliloquy soul speech stage suffering suggest sweet Tamburlaine tells thee theme things thou thought tion tragedy tragic turn verse weakness whole writing Zenocrate