Critics on MarloweJudith O'Neill University of Miami Press, 1970 - 127 Seiten |
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Seite 52
... interest connect the central intrigue , which involves usury , with power politics upon the upper level and with ... interests . He finds a justification in observing that Christians preach religion and practise opportunism . What ...
... interest connect the central intrigue , which involves usury , with power politics upon the upper level and with ... interests . He finds a justification in observing that Christians preach religion and practise opportunism . What ...
Seite 58
... interest , his grudge against the Governor . Here , with the disaffection of Abigall , he aban- dons any claim upon our sympathy and vies with his new accomplice , Ithamore , in the quid pro quo of sheer malignity . In the fourth act he ...
... interest , his grudge against the Governor . Here , with the disaffection of Abigall , he aban- dons any claim upon our sympathy and vies with his new accomplice , Ithamore , in the quid pro quo of sheer malignity . In the fourth act he ...
Seite 93
... interest in devils and witchcraft ' . Marlowe is doing both these things , and both produce their own deviations from a consistent course : but they are not what the Elizabethans would have called the ' cause ' of his play . There is a ...
... interest in devils and witchcraft ' . Marlowe is doing both these things , and both produce their own deviations from a consistent course : but they are not what the Elizabethans would have called the ' cause ' of his play . There is a ...
Inhalt
1965 | 21 |
MODERN CRITICS ON MARLOWE | 28 |
The Second Part of Tamburlaine the Great | 37 |
Urheberrecht | |
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accept action Angel appears attempt Barabas beauty becomes beginning called character Christ Christians clear comes course critics crown death desire despair devil Dr Faustus drama edition Edward Elizabethan English face fact Faustus's fear feeling final follow forces Gaveston give given hand heart Heaven Helen Hell hero Holinshed human idea imagination important interest ironic irony kind King knowledge later leaves less live London look Lord Lucifer magic Malta Marlowe Marlowe's means Mephistophilis mind moral Mortimer murder nature never offers once opening passages passion perhaps pity play pleasure poet presented repent says scene seems sense Shakespeare shows soliloquy soul speech stage suffering suggest sweet Tamburlaine tells thee theme things thou thought tion tragedy tragic turn verse weakness whole writing Zenocrate