Critics on MarloweJudith O'Neill University of Miami Press, 1970 - 127 Seiten |
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Seite 100
... idea that everything is upside down , that so called evil is in fact good , that the struggle of Faustus is to be anti - Christ , not Christian . . . . It seems to me clear that Marlowe was not strictly an atheist at all : that is to ...
... idea that everything is upside down , that so called evil is in fact good , that the struggle of Faustus is to be anti - Christ , not Christian . . . . It seems to me clear that Marlowe was not strictly an atheist at all : that is to ...
Seite 104
... idea of good in direct contradiction to the Christian idea . In this scene and constantly throughout the play ( despite some commonplace insinuations by the Bad Angel at the end ) Faustus is not subjected to any simple ' temptation ' of ...
... idea of good in direct contradiction to the Christian idea . In this scene and constantly throughout the play ( despite some commonplace insinuations by the Bad Angel at the end ) Faustus is not subjected to any simple ' temptation ' of ...
Seite 105
... idea of God ( or perhaps another , more humble , view of man ) is insisted at once in the wholly different tone of Mephostophilis's next words . But for Faustus's attitude here , we must understand not only the hint of a jealous God ...
... idea of God ( or perhaps another , more humble , view of man ) is insisted at once in the wholly different tone of Mephostophilis's next words . But for Faustus's attitude here , we must understand not only the hint of a jealous God ...
Inhalt
1965 | 21 |
MODERN CRITICS ON MARLOWE | 28 |
The Second Part of Tamburlaine the Great | 37 |
Urheberrecht | |
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accept action Angel appears attempt Barabas beauty becomes beginning called character Christ Christians clear comes course critics crown death desire despair devil Dr Faustus drama edition Edward Elizabethan English face fact Faustus's fear feeling final follow forces Gaveston give given hand heart Heaven Helen Hell hero Holinshed human idea imagination important interest ironic irony kind King knowledge later leaves less live London look Lord Lucifer magic Malta Marlowe Marlowe's means Mephistophilis mind moral Mortimer murder nature never offers once opening passages passion perhaps pity play pleasure poet presented repent says scene seems sense Shakespeare shows soliloquy soul speech stage suffering suggest sweet Tamburlaine tells thee theme things thou thought tion tragedy tragic turn verse weakness whole writing Zenocrate