Critics on MarloweJudith O'Neill University of Miami Press, 1970 - 127 Seiten |
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Seite 19
... feeling of the ideas .... Marlowe , although he was scholar , cared no more for geography and consistent history than Shakespeare . He took the world as he found it at the theatre , where it was a mixture of golden age innocence ...
... feeling of the ideas .... Marlowe , although he was scholar , cared no more for geography and consistent history than Shakespeare . He took the world as he found it at the theatre , where it was a mixture of golden age innocence ...
Seite 34
... feeling dehumanized and its action conventional . But this does not prevent its being a good play in the Elizabethan manner . Regarded simply as an artistic success , Tamburlaine , Part 1 , is the most satisfactory thing Marlowe ever ...
... feeling dehumanized and its action conventional . But this does not prevent its being a good play in the Elizabethan manner . Regarded simply as an artistic success , Tamburlaine , Part 1 , is the most satisfactory thing Marlowe ever ...
Seite 37
... feels that the second is very different from the first and ascribes this difference to a change in Marlowe's feeling towards his hero ; but she feels that the result of this change is boredom with his theme and imaginative poverty in ...
... feels that the second is very different from the first and ascribes this difference to a change in Marlowe's feeling towards his hero ; but she feels that the result of this change is boredom with his theme and imaginative poverty in ...
Inhalt
1965 | 21 |
MODERN CRITICS ON MARLOWE | 28 |
The Second Part of Tamburlaine the Great | 37 |
Urheberrecht | |
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accept action Angel appears attempt Barabas beauty becomes beginning called character Christ Christians clear comes course critics crown death desire despair devil Dr Faustus drama edition Edward Elizabethan English face fact Faustus's fear feeling final follow forces Gaveston give given hand heart Heaven Helen Hell hero Holinshed human idea imagination important interest ironic irony kind King knowledge later leaves less live London look Lord Lucifer magic Malta Marlowe Marlowe's means Mephistophilis mind moral Mortimer murder nature never offers once opening passages passion perhaps pity play pleasure poet presented repent says scene seems sense Shakespeare shows soliloquy soul speech stage suffering suggest sweet Tamburlaine tells thee theme things thou thought tion tragedy tragic turn verse weakness whole writing Zenocrate