Critics on MarloweJudith O'Neill University of Miami Press, 1970 - 127 Seiten |
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Seite 35
... clearly uncertain of himself , and his verse reflects the transition . It is notice- able that he sometimes tries to ... clear the triple region of the air .... Smile , stars that reigned at my nativity And dim the brightness of their ...
... clearly uncertain of himself , and his verse reflects the transition . It is notice- able that he sometimes tries to ... clear the triple region of the air .... Smile , stars that reigned at my nativity And dim the brightness of their ...
Seite 37
... clear concep- tion of the development the chief character should suffer , and this differed so far from the conception of the first part as to endanger the effectiveness of a play written on similar lines .... In this situation , then ...
... clear concep- tion of the development the chief character should suffer , and this differed so far from the conception of the first part as to endanger the effectiveness of a play written on similar lines .... In this situation , then ...
Seite 99
... clear then to the mind ; there is no need to stress the imaginative quality of the Helen speech , or of the first turn to magic : emperors and kings Are but obeyed in their several provinces , Nor can they raise the wind or rend the ...
... clear then to the mind ; there is no need to stress the imaginative quality of the Helen speech , or of the first turn to magic : emperors and kings Are but obeyed in their several provinces , Nor can they raise the wind or rend the ...
Inhalt
1965 | 21 |
MODERN CRITICS ON MARLOWE | 28 |
The Second Part of Tamburlaine the Great | 37 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accept action Angel appears attempt Barabas beauty becomes beginning called character Christ Christians clear comes course critics crown death desire despair devil Dr Faustus drama edition Edward Elizabethan English face fact Faustus's fear feeling final follow forces Gaveston give given hand heart Heaven Helen Hell hero Holinshed human idea imagination important interest ironic irony kind King knowledge later leaves less live London look Lord Lucifer magic Malta Marlowe Marlowe's means Mephistophilis mind moral Mortimer murder nature never offers once opening passages passion perhaps pity play pleasure poet presented repent says scene seems sense Shakespeare shows soliloquy soul speech stage suffering suggest sweet Tamburlaine tells thee theme things thou thought tion tragedy tragic turn verse weakness whole writing Zenocrate