Critics on MarloweJudith O'Neill University of Miami Press, 1970 - 127 Seiten |
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Seite 28
... attempt to define the conventions of a particular dramatist is more difficult than to define those of a period ... attempted to do twice what could only be done once . The unity of Part I is supplied by Tamburlaine himself . He is hardly ...
... attempt to define the conventions of a particular dramatist is more difficult than to define those of a period ... attempted to do twice what could only be done once . The unity of Part I is supplied by Tamburlaine himself . He is hardly ...
Seite 48
... attempt to break free from the limitations of the narrow , materialistic society which surrounds her . The attempt is rendered pathetic by the fact that the religious , amongst whom she hopes to find release , are as mercenary as the ...
... attempt to break free from the limitations of the narrow , materialistic society which surrounds her . The attempt is rendered pathetic by the fact that the religious , amongst whom she hopes to find release , are as mercenary as the ...
Seite 123
... attempt the mixture of tenderness and sensuality in verse . Licentious poetry , if it is to remain endurable , must generally be heartless : as it is in Ovid , in Byron , in Marlowe himself . If it attempts pathos or sweet- ness an ...
... attempt the mixture of tenderness and sensuality in verse . Licentious poetry , if it is to remain endurable , must generally be heartless : as it is in Ovid , in Byron , in Marlowe himself . If it attempts pathos or sweet- ness an ...
Inhalt
1965 | 21 |
MODERN CRITICS ON MARLOWE | 28 |
The Second Part of Tamburlaine the Great | 37 |
Urheberrecht | |
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accept action Angel appears attempt Barabas beauty becomes beginning called character Christ Christians clear comes course critics crown death desire despair devil Dr Faustus drama edition Edward Elizabethan English face fact Faustus's fear feeling final follow forces Gaveston give given hand heart Heaven Helen Hell hero Holinshed human idea imagination important interest ironic irony kind King knowledge later leaves less live London look Lord Lucifer magic Malta Marlowe Marlowe's means Mephistophilis mind moral Mortimer murder nature never offers once opening passages passion perhaps pity play pleasure poet presented repent says scene seems sense Shakespeare shows soliloquy soul speech stage suffering suggest sweet Tamburlaine tells thee theme things thou thought tion tragedy tragic turn verse weakness whole writing Zenocrate