Critics on MarloweJudith O'Neill University of Miami Press, 1970 - 127 Seiten |
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Seite 35
... three kings speaks in turn , and each speech ends with a rhymed couplet . The same kind of pattern appears at the level of action in the scenes where the three kings deliver their M. C. BRADBROOK : A DISCUSSION OF Tamburlaine 35.
... three kings speaks in turn , and each speech ends with a rhymed couplet . The same kind of pattern appears at the level of action in the scenes where the three kings deliver their M. C. BRADBROOK : A DISCUSSION OF Tamburlaine 35.
Seite 39
... appears from time to time in the body of the play and in the end reduces the contest between Tamburlaine and his foes to an episode in the world's pattern ; it provides a kind of ground swell to the whole play . The truth of this ...
... appears from time to time in the body of the play and in the end reduces the contest between Tamburlaine and his foes to an episode in the world's pattern ; it provides a kind of ground swell to the whole play . The truth of this ...
Seite 123
... appears in them for long . Leander's beauty is presented half mythically : he is a prize like the golden fleece , his body is as ' straight as Circe's wand ' , and the description of him shines with the names of Nectar , Pelops , Jove ...
... appears in them for long . Leander's beauty is presented half mythically : he is a prize like the golden fleece , his body is as ' straight as Circe's wand ' , and the description of him shines with the names of Nectar , Pelops , Jove ...
Inhalt
1965 | 21 |
MODERN CRITICS ON MARLOWE | 28 |
The Second Part of Tamburlaine the Great | 37 |
Urheberrecht | |
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accept action Angel appears attempt Barabas beauty becomes beginning called character Christ Christians clear comes course critics crown death desire despair devil Dr Faustus drama edition Edward Elizabethan English face fact Faustus's fear feeling final follow forces Gaveston give given hand heart Heaven Helen Hell hero Holinshed human idea imagination important interest ironic irony kind King knowledge later leaves less live London look Lord Lucifer magic Malta Marlowe Marlowe's means Mephistophilis mind moral Mortimer murder nature never offers once opening passages passion perhaps pity play pleasure poet presented repent says scene seems sense Shakespeare shows soliloquy soul speech stage suffering suggest sweet Tamburlaine tells thee theme things thou thought tion tragedy tragic turn verse weakness whole writing Zenocrate