Critics on MarloweJudith O'Neill University of Miami Press, 1970 - 127 Seiten |
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Seite 33
... Tamburlaine attacks Cosroe in turn , his triumph is assured by the stage direction : ' Tamburlaine takes the crown and puts it on ' ( 2. 7. 52 ) . When Tamburlaine goes to fight Bajazet he gives his crown to Zenocrate to wear while he ...
... Tamburlaine attacks Cosroe in turn , his triumph is assured by the stage direction : ' Tamburlaine takes the crown and puts it on ' ( 2. 7. 52 ) . When Tamburlaine goes to fight Bajazet he gives his crown to Zenocrate to wear while he ...
Seite 39
... Tamburlaine and that of his enemies . Neither rises or falls steadily , but on the whole it can be said that the forces oppos- ing Tamburlaine grow in strength during the first half of the play and reach their zenith in the third act ...
... Tamburlaine and that of his enemies . Neither rises or falls steadily , but on the whole it can be said that the forces oppos- ing Tamburlaine grow in strength during the first half of the play and reach their zenith in the third act ...
Seite 42
... Tamburlaine , in his dying admonition to his heir , himself moralizes his end : Nor bar thy mind that magnanimity That nobly must admit necessity . It is by necessity that " Tamburlaine the scourge of God must die ' . It cannot be ...
... Tamburlaine , in his dying admonition to his heir , himself moralizes his end : Nor bar thy mind that magnanimity That nobly must admit necessity . It is by necessity that " Tamburlaine the scourge of God must die ' . It cannot be ...
Inhalt
1965 | 21 |
MODERN CRITICS ON MARLOWE | 28 |
The Second Part of Tamburlaine the Great | 37 |
Urheberrecht | |
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accept action Angel appears attempt Barabas beauty becomes beginning called character Christ Christians clear comes course critics crown death desire despair devil Dr Faustus drama edition Edward Elizabethan English face fact Faustus's fear feeling final follow forces Gaveston give given hand heart Heaven Helen Hell hero Holinshed human idea imagination important interest ironic irony kind King knowledge later leaves less live London look Lord Lucifer magic Malta Marlowe Marlowe's means Mephistophilis mind moral Mortimer murder nature never offers once opening passages passion perhaps pity play pleasure poet presented repent says scene seems sense Shakespeare shows soliloquy soul speech stage suffering suggest sweet Tamburlaine tells thee theme things thou thought tion tragedy tragic turn verse weakness whole writing Zenocrate