Critics on MarloweJudith O'Neill University of Miami Press, 1970 - 127 Seiten |
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Seite 63
... King as the King with him , both men with a ' ruling desire ' which counts the world well lost for love and pleasure . Secondly , the King's quarrel with the lords bitterly jealous of the upstart Gaveston , a quarrel overheard by ...
... King as the King with him , both men with a ' ruling desire ' which counts the world well lost for love and pleasure . Secondly , the King's quarrel with the lords bitterly jealous of the upstart Gaveston , a quarrel overheard by ...
Seite 71
... king which way I please ' , and the devices he imagines show how he thinks to exploit Edward's homosexual leanings . When we meet the King and his nobles , we find Edward thinking only of Gaveston , whose worth we have already seen ...
... king which way I please ' , and the devices he imagines show how he thinks to exploit Edward's homosexual leanings . When we meet the King and his nobles , we find Edward thinking only of Gaveston , whose worth we have already seen ...
Seite 76
... king who cannot control his lords or his passions and his unruly subjects who over - reach themselves . By the end of the play Isabella has been sent to the Tower and all the rest of the prominent characters are dead , but it is their ...
... king who cannot control his lords or his passions and his unruly subjects who over - reach themselves . By the end of the play Isabella has been sent to the Tower and all the rest of the prominent characters are dead , but it is their ...
Inhalt
1965 | 21 |
MODERN CRITICS ON MARLOWE | 28 |
The Second Part of Tamburlaine the Great | 37 |
Urheberrecht | |
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accept action Angel appears attempt Barabas beauty becomes beginning called character Christ Christians clear comes course critics crown death desire despair devil Dr Faustus drama edition Edward Elizabethan English face fact Faustus's fear feeling final follow forces Gaveston give given hand heart Heaven Helen Hell hero Holinshed human idea imagination important interest ironic irony kind King knowledge later leaves less live London look Lord Lucifer magic Malta Marlowe Marlowe's means Mephistophilis mind moral Mortimer murder nature never offers once opening passages passion perhaps pity play pleasure poet presented repent says scene seems sense Shakespeare shows soliloquy soul speech stage suffering suggest sweet Tamburlaine tells thee theme things thou thought tion tragedy tragic turn verse weakness whole writing Zenocrate