Critics on MarloweJudith O'Neill University of Miami Press, 1970 - 127 Seiten |
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Seite 62
... Holinshed's account of the reign of Edward II and see with what art of selection , condensation , and adaptation Marlowe has shaped out of the chronicle history of a disagreeable reign an historical tragedy . The title suggests a ...
... Holinshed's account of the reign of Edward II and see with what art of selection , condensation , and adaptation Marlowe has shaped out of the chronicle history of a disagreeable reign an historical tragedy . The title suggests a ...
Seite 66
... Holinshed , the washing and shaving of the King in puddle water , he went to Stow . Compassion did not come easily to Marlowe , and there is a cruelty in these last scenes which we do not find in Shakespeare . In Richard II there is ...
... Holinshed , the washing and shaving of the King in puddle water , he went to Stow . Compassion did not come easily to Marlowe , and there is a cruelty in these last scenes which we do not find in Shakespeare . In Richard II there is ...
Seite 78
... Holinshed and clearly indicated by Lightborn in his talk with the jailors at the begin- ning of the scene . That indeed is how it was staged in the recent Marlowe Society production , and I think rightly . The mode of killing may have ...
... Holinshed and clearly indicated by Lightborn in his talk with the jailors at the begin- ning of the scene . That indeed is how it was staged in the recent Marlowe Society production , and I think rightly . The mode of killing may have ...
Inhalt
1965 | 21 |
MODERN CRITICS ON MARLOWE | 28 |
The Second Part of Tamburlaine the Great | 37 |
Urheberrecht | |
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accept action Angel appears attempt Barabas beauty becomes beginning called character Christ Christians clear comes course critics crown death desire despair devil Dr Faustus drama edition Edward Elizabethan English face fact Faustus's fear feeling final follow forces Gaveston give given hand heart Heaven Helen Hell hero Holinshed human idea imagination important interest ironic irony kind King knowledge later leaves less live London look Lord Lucifer magic Malta Marlowe Marlowe's means Mephistophilis mind moral Mortimer murder nature never offers once opening passages passion perhaps pity play pleasure poet presented repent says scene seems sense Shakespeare shows soliloquy soul speech stage suffering suggest sweet Tamburlaine tells thee theme things thou thought tion tragedy tragic turn verse weakness whole writing Zenocrate