Shakespeare, Memory and Performance

Cover
Peter Holland
Cambridge University Press, 02.11.2006 - 357 Seiten
"Remember thee? Ay, thou poor ghost, while memory holds a seat." In this distracted globe. Hamlet's lines pun on the globe as both his skull and the Globe Theatre. But what does memory have to do with Shakespeare and performances past and present? This is the first collection of essays to provide a meeting between the flourishing fields of memory studies and Shakespeare performance studies. The chapters explore a wide range of topics, from the means by which editors of Shakespeare plays try to help their readers remember performance to the ways actors sometimes forget Shakespeare?s lines, from the evocative memories instilled in the archives of costumes to the photographing of props that act as memories of performances past. The fifteen contributors are leaders in the field of Shakespeare performance studies and their considerations of the possibilities of the subject open up a rich new vein in Shakespeare studies.

Im Buch

Inhalt

Abschnitt 1
23
Abschnitt 2
43
Abschnitt 3
63
Abschnitt 4
87
Abschnitt 5
117
Abschnitt 6
135
Abschnitt 7
136
Abschnitt 8
145
Abschnitt 17
178
Abschnitt 18
192
Abschnitt 19
193
Abschnitt 20
194
Abschnitt 21
201
Abschnitt 22
202
Abschnitt 23
204
Abschnitt 24
205

Abschnitt 9
148
Abschnitt 10
150
Abschnitt 11
152
Abschnitt 12
157
Abschnitt 13
158
Abschnitt 14
168
Abschnitt 15
171
Abschnitt 16
175
Abschnitt 25
207
Abschnitt 26
237
Abschnitt 27
244
Abschnitt 28
256
Abschnitt 29
281
Abschnitt 30
305
Abschnitt 31
329

Andere Ausgaben - Alle anzeigen

Häufige Begriffe und Wortgruppen

Autoren-Profil (2006)

Peter Holland is McMeel Family Professor in Shakespeare Studies and Department Chair, Department of Film, Television, and Theater at the University of Notre Dame.

Bibliografische Informationen