The Other Way: An Alternative Approach to Acting and DirectingApplause, 1999 - 243 Seiten (Applause Books). Marowitz examines every aspect of contemporary theatre practice including auditions, first-readings, the rehearsal process, classical techniques and performance art. He delves beyond sub-text, probing the labyrinth that exists beneath conventional psychology. Marowitz comes up with a tantalizing new brew of ideas with which actors and directors can ply their craft into the new millennium. |
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Seite 39
... things solidify - some things are helplessly thrown into question . An opening night performance is a social event , not an artistic resolution . That is why the rehearsal - period has to be thought of as a methodical preparation for an ...
... things solidify - some things are helplessly thrown into question . An opening night performance is a social event , not an artistic resolution . That is why the rehearsal - period has to be thought of as a methodical preparation for an ...
Seite 41
... things today , they actively disbelieve things they were taught by previous generations . There is a new skepticism , if not wholesale de- nial , of the ideas that were rife only fifty or seventy - five years ago . There is a distrust ...
... things today , they actively disbelieve things they were taught by previous generations . There is a new skepticism , if not wholesale de- nial , of the ideas that were rife only fifty or seventy - five years ago . There is a distrust ...
Seite 90
... thing you said when we parted yesterday ; about art being the only useful thing we ever had up there . STANISLAVSKY : I ... things , was the only real an- odyne to living . By illuminating the play - of - forces that made life miserable ...
... thing you said when we parted yesterday ; about art being the only useful thing we ever had up there . STANISLAVSKY : I ... things , was the only real an- odyne to living . By illuminating the play - of - forces that made life miserable ...
Inhalt
AUTHORS PREFACE | 1 |
FROM SUBTEXT TO URTEXT | 2 |
THE ART OF PROVOCATION | 3 |
Urheberrecht | |
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20th century accents achieve acting action Antonin Artaud Artaud artistic audience become behavior believe beneath Bertolt Brecht BRECHT Brechtian character character's Charles Marowitz Chekhov classic color comedy consciousness constantly contemporary conventional convey create director dramatic effect emotional esthetic exercise experience express fact feelings going Group Theatre Hamlet ideas imagination improvisation impulses interpretation Jean Genet kind Konnie Konstantin Stanislavsky Laertes language lecture lives Macbeth Marowitz mask matter means merely Method actor mind modern Moscow Arts movement nature needs Neil Simon never object once Ophelia original paradox physical play play's playwright precisely production psychological psychotic question realism reality rehearsals result rhythm Richard Richard III role scene sense Shakespeare situation social sound sound-and-movement Spalding Gray speak speech stage Stanislavsky Strasberg style sub-text theatre Theatre of Cruelty theatrical things tion transform truth trying ur-text verse vocal voice words work-out