The Other Way: An Alternative Approach to Acting and DirectingApplause, 1999 - 243 Seiten (Applause Books). Marowitz examines every aspect of contemporary theatre practice including auditions, first-readings, the rehearsal process, classical techniques and performance art. He delves beyond sub-text, probing the labyrinth that exists beneath conventional psychology. Marowitz comes up with a tantalizing new brew of ideas with which actors and directors can ply their craft into the new millennium. |
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Seite 231
... sound - and - movement - something simple and easy to follow - and as soon as that person - whoever he or she may be - initiates that repeated sound - and - movement , the whole circle , as one man , will pick up exactly the same sound ...
... sound - and - movement - something simple and easy to follow - and as soon as that person - whoever he or she may be - initiates that repeated sound - and - movement , the whole circle , as one man , will pick up exactly the same sound ...
Seite 232
... sound - and - movement , the entire circle , simultaneously duplicating the new sound and movement , and again moving as one man , will return the circle to the periphery . Then another member of the group will initiate yet another ...
... sound - and - movement , the entire circle , simultaneously duplicating the new sound and movement , and again moving as one man , will return the circle to the periphery . Then another member of the group will initiate yet another ...
Seite 235
... sound and movements until he has perfected one that pleases him . He then takes that repeated sound - and - movement and brings it to another member of the company , Actor B. He stands before Actor B still performing his sound - and ...
... sound and movements until he has perfected one that pleases him . He then takes that repeated sound - and - movement and brings it to another member of the company , Actor B. He stands before Actor B still performing his sound - and ...
Inhalt
AUTHORS PREFACE | 1 |
FROM SUBTEXT TO URTEXT | 2 |
THE ART OF PROVOCATION | 3 |
Urheberrecht | |
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20th century accents achieve acting action Antonin Artaud Artaud artistic audience become behavior believe beneath Bertolt Brecht BRECHT Brechtian character character's Charles Marowitz Chekhov classic color comedy consciousness constantly contemporary conventional convey create director dramatic effect emotional esthetic exercise experience express fact feelings going Group Theatre Hamlet ideas imagination improvisation impulses interpretation Jean Genet kind Konnie Konstantin Stanislavsky Laertes language lecture lives Macbeth Marowitz mask matter means merely Method actor mind modern Moscow Arts movement nature needs Neil Simon never object once Ophelia original paradox physical play play's playwright precisely production psychological psychotic question realism reality rehearsals result rhythm Richard Richard III role scene sense Shakespeare situation social sound sound-and-movement Spalding Gray speak speech stage Stanislavsky Strasberg style sub-text theatre Theatre of Cruelty theatrical things tion transform truth trying ur-text verse vocal voice words work-out