The Other Way: An Alternative Approach to Acting and DirectingApplause, 1999 - 243 Seiten (Applause Books). Marowitz examines every aspect of contemporary theatre practice including auditions, first-readings, the rehearsal process, classical techniques and performance art. He delves beyond sub-text, probing the labyrinth that exists beneath conventional psychology. Marowitz comes up with a tantalizing new brew of ideas with which actors and directors can ply their craft into the new millennium. |
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Seite 16
... role , a new play , a new experience from which he hopes to derive greater sat- isfaction - never realizing that it ... roles can be reduced to motive and objective . The character has ' wants ' and in order to satisfy them , he ...
... role , a new play , a new experience from which he hopes to derive greater sat- isfaction - never realizing that it ... roles can be reduced to motive and objective . The character has ' wants ' and in order to satisfy them , he ...
Seite 36
... roles are the same . Each new role , par- ticularly the more challenging ones , imposes different demands on his resources . But because he is a creature of habit , a robot of repetition , he has automatized himself - turned his ...
... roles are the same . Each new role , par- ticularly the more challenging ones , imposes different demands on his resources . But because he is a creature of habit , a robot of repetition , he has automatized himself - turned his ...
Seite 54
... role as es- sentially a cog in a highly convoluted wheel . As actors begin to verbalize their roles and insinuate the notions of their characters , other actors imperceptibly adapt to unexpected cast- ing - choices and their colleague's ...
... role as es- sentially a cog in a highly convoluted wheel . As actors begin to verbalize their roles and insinuate the notions of their characters , other actors imperceptibly adapt to unexpected cast- ing - choices and their colleague's ...
Inhalt
AUTHORS PREFACE | 1 |
FROM SUBTEXT TO URTEXT | 2 |
THE ART OF PROVOCATION | 3 |
Urheberrecht | |
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