The Other Way: An Alternative Approach to Acting and DirectingApplause, 1999 - 243 Seiten (Applause Books). Marowitz examines every aspect of contemporary theatre practice including auditions, first-readings, the rehearsal process, classical techniques and performance art. He delves beyond sub-text, probing the labyrinth that exists beneath conventional psychology. Marowitz comes up with a tantalizing new brew of ideas with which actors and directors can ply their craft into the new millennium. |
Im Buch
Ergebnisse 1-3 von 33
Seite 66
... result of an ambiguous or half - baked idea casually tossed out by a loose - lipped director . The germ of an unthought - out idea can be re- sponsible for an ineradicable fallacy from which there may be no turn- ing back . Useful as ...
... result of an ambiguous or half - baked idea casually tossed out by a loose - lipped director . The germ of an unthought - out idea can be re- sponsible for an ineradicable fallacy from which there may be no turn- ing back . Useful as ...
Seite 84
... result of an inevitable ' psycho - physical conditioning , ' how can it be right to produce a unity of voice and personality which never existed in the first place ? In such circumstances , how can vocal training do any- thing other ...
... result of an inevitable ' psycho - physical conditioning , ' how can it be right to produce a unity of voice and personality which never existed in the first place ? In such circumstances , how can vocal training do any- thing other ...
Seite 118
... results on their own . The validation of those results are the actors ' own feeling of veracity about what is being created , without reference to the fact that a per- sonal truth which doesn't merge with the collective truthfulness is ...
... results on their own . The validation of those results are the actors ' own feeling of veracity about what is being created , without reference to the fact that a per- sonal truth which doesn't merge with the collective truthfulness is ...
Inhalt
AUTHORS PREFACE | 1 |
FROM SUBTEXT TO URTEXT | 2 |
THE ART OF PROVOCATION | 3 |
Urheberrecht | |
14 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
20th century accents achieve acting action Antonin Artaud Artaud artistic audience become behavior believe beneath Bertolt Brecht BRECHT Brechtian character character's Charles Marowitz Chekhov classic color comedy consciousness constantly contemporary conventional convey create director dramatic effect emotional esthetic exercise experience express fact feelings going Group Theatre Hamlet ideas imagination improvisation impulses interpretation Jean Genet kind Konnie Konstantin Stanislavsky Laertes language lecture lives Macbeth Marowitz mask matter means merely Method actor mind modern Moscow Arts movement nature needs Neil Simon never object once Ophelia original paradox physical play play's playwright precisely production psychological psychotic question realism reality rehearsals result rhythm Richard Richard III role scene sense Shakespeare situation social sound sound-and-movement Spalding Gray speak speech stage Stanislavsky Strasberg style sub-text theatre Theatre of Cruelty theatrical things tion transform truth trying ur-text verse vocal voice words work-out