The Other Way: An Alternative Approach to Acting and DirectingApplause, 1999 - 243 Seiten (Applause Books). Marowitz examines every aspect of contemporary theatre practice including auditions, first-readings, the rehearsal process, classical techniques and performance art. He delves beyond sub-text, probing the labyrinth that exists beneath conventional psychology. Marowitz comes up with a tantalizing new brew of ideas with which actors and directors can ply their craft into the new millennium. |
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Seite 73
... production is to enhance and better define the perfor- mance - proper . When the actors return to the play after their bizarre journey into music and dance , sound and parody , there is often a new ease and relaxation in their ...
... production is to enhance and better define the perfor- mance - proper . When the actors return to the play after their bizarre journey into music and dance , sound and parody , there is often a new ease and relaxation in their ...
Seite 81
An Alternative Approach to Acting and Directing Charles Marowitz. that produce acting . Certainly there are large ... production per se . It is common , particularly in classical works , to see voice - teachers credited along with ...
An Alternative Approach to Acting and Directing Charles Marowitz. that produce acting . Certainly there are large ... production per se . It is common , particularly in classical works , to see voice - teachers credited along with ...
Seite 186
... production thinking : that was only a fragment of the play compared to the fullness of the original work . No production can deliver all the goods . Every production is always going to be partial . There's no such thing as getting a ...
... production thinking : that was only a fragment of the play compared to the fullness of the original work . No production can deliver all the goods . Every production is always going to be partial . There's no such thing as getting a ...
Inhalt
AUTHORS PREFACE | 1 |
FROM SUBTEXT TO URTEXT | 2 |
THE ART OF PROVOCATION | 3 |
Urheberrecht | |
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