The Other Way: An Alternative Approach to Acting and DirectingApplause, 1999 - 243 Seiten (Applause Books). Marowitz examines every aspect of contemporary theatre practice including auditions, first-readings, the rehearsal process, classical techniques and performance art. He delves beyond sub-text, probing the labyrinth that exists beneath conventional psychology. Marowitz comes up with a tantalizing new brew of ideas with which actors and directors can ply their craft into the new millennium. |
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Seite 48
... original text transforms without a second's hesitation and that I see each different character clearly revealed . That done , go back to the Chrorus from HENRY V and perform it as originally conceived . The speed with which an actor ...
... original text transforms without a second's hesitation and that I see each different character clearly revealed . That done , go back to the Chrorus from HENRY V and perform it as originally conceived . The speed with which an actor ...
Seite 120
... original stylistic chararacter . To bring it from its own time - frame into our own , an imaginative leap is required on the part of actors and directors . Like vintage wine being poured from old bottles into new , the process needs ...
... original stylistic chararacter . To bring it from its own time - frame into our own , an imaginative leap is required on the part of actors and directors . Like vintage wine being poured from old bottles into new , the process needs ...
Seite 131
... original conceptions , and yet we can experience the au- thor's intentions only through such interpreters . The ... original play by its original author . We rationalize this paradox by say- ing that a classic is supposed to speak ...
... original conceptions , and yet we can experience the au- thor's intentions only through such interpreters . The ... original play by its original author . We rationalize this paradox by say- ing that a classic is supposed to speak ...
Inhalt
AUTHORS PREFACE | 1 |
FROM SUBTEXT TO URTEXT | 2 |
THE ART OF PROVOCATION | 3 |
Urheberrecht | |
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20th century accents achieve acting action Antonin Artaud Artaud artistic audience become behavior believe beneath Bertolt Brecht BRECHT Brechtian character character's Charles Marowitz Chekhov classic color comedy consciousness constantly contemporary conventional convey create director dramatic effect emotional esthetic exercise experience express fact feelings going Group Theatre Hamlet ideas imagination improvisation impulses interpretation Jean Genet kind Konnie Konstantin Stanislavsky Laertes language lecture lives Macbeth Marowitz mask matter means merely Method actor mind modern Moscow Arts movement nature needs Neil Simon never object once Ophelia original paradox physical play play's playwright precisely production psychological psychotic question realism reality rehearsals result rhythm Richard Richard III role scene sense Shakespeare situation social sound sound-and-movement Spalding Gray speak speech stage Stanislavsky Strasberg style sub-text theatre Theatre of Cruelty theatrical things tion transform truth trying ur-text verse vocal voice words work-out