The Other Way: An Alternative Approach to Acting and DirectingApplause, 1999 - 243 Seiten (Applause Books). Marowitz examines every aspect of contemporary theatre practice including auditions, first-readings, the rehearsal process, classical techniques and performance art. He delves beyond sub-text, probing the labyrinth that exists beneath conventional psychology. Marowitz comes up with a tantalizing new brew of ideas with which actors and directors can ply their craft into the new millennium. |
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Seite 81
... interpretation , voice - production has figured more and more promi- nently in production per se . It is common , particularly in classical works , to see voice - teachers credited along with directors and design- ers , the general ...
... interpretation , voice - production has figured more and more promi- nently in production per se . It is common , particularly in classical works , to see voice - teachers credited along with directors and design- ers , the general ...
Seite 140
... , if he is forceful and has actually concocted an interpretation ( as opposed to faking one as he goes along ) is probably the most dominant influence for , in shap- ing the physical world of the play - the set 140 THE OTHER WAY.
... , if he is forceful and has actually concocted an interpretation ( as opposed to faking one as he goes along ) is probably the most dominant influence for , in shap- ing the physical world of the play - the set 140 THE OTHER WAY.
Seite 164
... interpretation of human experience . ' Telling it how it is ' as opposed to how theatri- cal conventions obliged it ... Interpreting the plays of Jean Genet obliged critics to elucidate questions of ontology and sexual fantasy . One ...
... interpretation of human experience . ' Telling it how it is ' as opposed to how theatri- cal conventions obliged it ... Interpreting the plays of Jean Genet obliged critics to elucidate questions of ontology and sexual fantasy . One ...
Inhalt
AUTHORS PREFACE | 1 |
FROM SUBTEXT TO URTEXT | 2 |
THE ART OF PROVOCATION | 3 |
Urheberrecht | |
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20th century accents achieve acting action Antonin Artaud Artaud artistic audience become behavior believe beneath Bertolt Brecht BRECHT Brechtian character character's Charles Marowitz Chekhov classic color comedy consciousness constantly contemporary conventional convey create director dramatic effect emotional esthetic exercise experience express fact feelings going Group Theatre Hamlet ideas imagination improvisation impulses interpretation Jean Genet kind Konnie Konstantin Stanislavsky Laertes language lecture lives Macbeth Marowitz mask matter means merely Method actor mind modern Moscow Arts movement nature needs Neil Simon never object once Ophelia original paradox physical play play's playwright precisely production psychological psychotic question realism reality rehearsals result rhythm Richard Richard III role scene sense Shakespeare situation social sound sound-and-movement Spalding Gray speak speech stage Stanislavsky Strasberg style sub-text theatre Theatre of Cruelty theatrical things tion transform truth trying ur-text verse vocal voice words work-out