The Other Way: An Alternative Approach to Acting and DirectingApplause, 1999 - 243 Seiten (Applause Books). Marowitz examines every aspect of contemporary theatre practice including auditions, first-readings, the rehearsal process, classical techniques and performance art. He delves beyond sub-text, probing the labyrinth that exists beneath conventional psychology. Marowitz comes up with a tantalizing new brew of ideas with which actors and directors can ply their craft into the new millennium. |
Im Buch
Ergebnisse 1-3 von 19
Seite 23
... hand . - Every moment spent in releasing a play needs to have a clear - cut or intuited objective . A rehearsal without a specific problem to solve nec- essarily dwindles into the automatic assembly of its technical parts . What should ...
... hand . - Every moment spent in releasing a play needs to have a clear - cut or intuited objective . A rehearsal without a specific problem to solve nec- essarily dwindles into the automatic assembly of its technical parts . What should ...
Seite 60
... hand ? These are all sensible questions and I have often asked them of myself , but I have found that the hours devoted to such Work - Outs have developed the mesh out of which an ensemble is held together . When , for one reason or ...
... hand ? These are all sensible questions and I have often asked them of myself , but I have found that the hours devoted to such Work - Outs have developed the mesh out of which an ensemble is held together . When , for one reason or ...
Seite 236
... hand- ing them on to two others . Soon , each member of the company is elab- orating one simile or another and there is a gathering sense of chaos as all the similes collide with one another . That is the time to stop the ex- ercise . 6 ...
... hand- ing them on to two others . Soon , each member of the company is elab- orating one simile or another and there is a gathering sense of chaos as all the similes collide with one another . That is the time to stop the ex- ercise . 6 ...
Inhalt
AUTHORS PREFACE | 1 |
FROM SUBTEXT TO URTEXT | 2 |
THE ART OF PROVOCATION | 3 |
Urheberrecht | |
14 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
20th century accents achieve acting action Antonin Artaud Artaud artistic audience become behavior believe beneath Bertolt Brecht BRECHT Brechtian character character's Charles Marowitz Chekhov classic color comedy consciousness constantly contemporary conventional convey create director dramatic effect emotional esthetic exercise experience express fact feelings going Group Theatre Hamlet ideas imagination improvisation impulses interpretation Jean Genet kind Konnie Konstantin Stanislavsky Laertes language lecture lives Macbeth Marowitz mask matter means merely Method actor mind modern Moscow Arts movement nature needs Neil Simon never object once Ophelia original paradox physical play play's playwright precisely production psychological psychotic question realism reality rehearsals result rhythm Richard Richard III role scene sense Shakespeare situation social sound sound-and-movement Spalding Gray speak speech stage Stanislavsky Strasberg style sub-text theatre Theatre of Cruelty theatrical things tion transform truth trying ur-text verse vocal voice words work-out