The Other Way: An Alternative Approach to Acting and DirectingApplause, 1999 - 243 Seiten (Applause Books). Marowitz examines every aspect of contemporary theatre practice including auditions, first-readings, the rehearsal process, classical techniques and performance art. He delves beyond sub-text, probing the labyrinth that exists beneath conventional psychology. Marowitz comes up with a tantalizing new brew of ideas with which actors and directors can ply their craft into the new millennium. |
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Seite 15
... feelings which are as much part of his temperament as those that may be activated by any one given set of circumstances . So it is never a matter of going piecemeal into the scenes of the play but bearing in mind that the character is ...
... feelings which are as much part of his temperament as those that may be activated by any one given set of circumstances . So it is never a matter of going piecemeal into the scenes of the play but bearing in mind that the character is ...
Seite 83
... feelings that cannot be contained in words . Artaud was constantly searching for a ' new language ' which would ... feelings down- ward from language and back to their sonic roots . Although we assume that language articulates our ...
... feelings that cannot be contained in words . Artaud was constantly searching for a ' new language ' which would ... feelings down- ward from language and back to their sonic roots . Although we assume that language articulates our ...
Seite 193
... feelings that justify this higher utterance , but he also has to be aware that frequently , it is the language itself which expresses them and if there is too great an intensity , the words are swallowed by the feelings . WORD - PLAY ...
... feelings that justify this higher utterance , but he also has to be aware that frequently , it is the language itself which expresses them and if there is too great an intensity , the words are swallowed by the feelings . WORD - PLAY ...
Inhalt
AUTHORS PREFACE | 1 |
FROM SUBTEXT TO URTEXT | 2 |
THE ART OF PROVOCATION | 3 |
Urheberrecht | |
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20th century accents achieve acting action Antonin Artaud Artaud artistic audience become behavior believe beneath Bertolt Brecht BRECHT Brechtian character character's Charles Marowitz Chekhov classic color comedy consciousness constantly contemporary conventional convey create director dramatic effect emotional esthetic exercise experience express fact feelings going Group Theatre Hamlet ideas imagination improvisation impulses interpretation Jean Genet kind Konnie Konstantin Stanislavsky Laertes language lecture lives Macbeth Marowitz mask matter means merely Method actor mind modern Moscow Arts movement nature needs Neil Simon never object once Ophelia original paradox physical play play's playwright precisely production psychological psychotic question realism reality rehearsals result rhythm Richard Richard III role scene sense Shakespeare situation social sound sound-and-movement Spalding Gray speak speech stage Stanislavsky Strasberg style sub-text theatre Theatre of Cruelty theatrical things tion transform truth trying ur-text verse vocal voice words work-out