The Other Way: An Alternative Approach to Acting and DirectingApplause, 1999 - 243 Seiten (Applause Books). Marowitz examines every aspect of contemporary theatre practice including auditions, first-readings, the rehearsal process, classical techniques and performance art. He delves beyond sub-text, probing the labyrinth that exists beneath conventional psychology. Marowitz comes up with a tantalizing new brew of ideas with which actors and directors can ply their craft into the new millennium. |
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Seite 58
... choices , he has a clearer picture of what does or does not work in the given context . The surest way of uprooting erroneous choices is to be sharply brought up by the error of one's ways . When this happens , the ' correction ' is not ...
... choices , he has a clearer picture of what does or does not work in the given context . The surest way of uprooting erroneous choices is to be sharply brought up by the error of one's ways . When this happens , the ' correction ' is not ...
Seite 72
... choices best suited to each character can be consciously selected . When this kind of ' testing of the sub - text ' is first begun , there is in- evitably a kind of absurdity in the air . Actors who have been used to diligently building ...
... choices best suited to each character can be consciously selected . When this kind of ' testing of the sub - text ' is first begun , there is in- evitably a kind of absurdity in the air . Actors who have been used to diligently building ...
Seite 137
... choices and alter , modify or reverse those of the actor which run counter to them . Knowing that what the actor indepen- dently finds for himself will most benefit his mise - en - scene , the direc- tor cunningly sets traps for the ...
... choices and alter , modify or reverse those of the actor which run counter to them . Knowing that what the actor indepen- dently finds for himself will most benefit his mise - en - scene , the direc- tor cunningly sets traps for the ...
Inhalt
AUTHORS PREFACE | 1 |
FROM SUBTEXT TO URTEXT | 2 |
THE ART OF PROVOCATION | 3 |
Urheberrecht | |
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20th century accents achieve acting action Antonin Artaud Artaud artistic audience become behavior believe beneath Bertolt Brecht BRECHT Brechtian character character's Charles Marowitz Chekhov classic color comedy consciousness constantly contemporary conventional convey create director dramatic effect emotional esthetic exercise experience express fact feelings going Group Theatre Hamlet ideas imagination improvisation impulses interpretation Jean Genet kind Konnie Konstantin Stanislavsky Laertes language lecture lives Macbeth Marowitz mask matter means merely Method actor mind modern Moscow Arts movement nature needs Neil Simon never object once Ophelia original paradox physical play play's playwright precisely production psychological psychotic question realism reality rehearsals result rhythm Richard Richard III role scene sense Shakespeare situation social sound sound-and-movement Spalding Gray speak speech stage Stanislavsky Strasberg style sub-text theatre Theatre of Cruelty theatrical things tion transform truth trying ur-text verse vocal voice words work-out