The Other Way: An Alternative Approach to Acting and DirectingApplause, 1999 - 243 Seiten (Applause Books). Marowitz examines every aspect of contemporary theatre practice including auditions, first-readings, the rehearsal process, classical techniques and performance art. He delves beyond sub-text, probing the labyrinth that exists beneath conventional psychology. Marowitz comes up with a tantalizing new brew of ideas with which actors and directors can ply their craft into the new millennium. |
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Seite 10
... behavior and , relating it to the given circumstances , proceeds to test this theory through trial and error . When a consistent pattern begins to emerge which validates his findings , he confirms it by fixing the logic of the events ...
... behavior and , relating it to the given circumstances , proceeds to test this theory through trial and error . When a consistent pattern begins to emerge which validates his findings , he confirms it by fixing the logic of the events ...
Seite 26
... behavior consciously re - angling the details of their actions so as to elicit differ- ent ones . This needs to be done arbitrarily , illogically , unjustifiably - producing a reaction which the actor realizes is wrong , not in keeping ...
... behavior consciously re - angling the details of their actions so as to elicit differ- ent ones . This needs to be done arbitrarily , illogically , unjustifiably - producing a reaction which the actor realizes is wrong , not in keeping ...
Seite 216
... behavior as the latent content of dreams did to their manifest content . I came to see that physical movement , by and large , was a language , like verbal language , which had as many layers as the individual had secrets to hide or ...
... behavior as the latent content of dreams did to their manifest content . I came to see that physical movement , by and large , was a language , like verbal language , which had as many layers as the individual had secrets to hide or ...
Inhalt
AUTHORS PREFACE | 1 |
FROM SUBTEXT TO URTEXT | 2 |
THE ART OF PROVOCATION | 3 |
Urheberrecht | |
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20th century accents achieve acting action Antonin Artaud Artaud artistic audience become behavior believe beneath Bertolt Brecht BRECHT Brechtian character character's Charles Marowitz Chekhov classic color comedy consciousness constantly contemporary conventional convey create director dramatic effect emotional esthetic exercise experience express fact feelings going Group Theatre Hamlet ideas imagination improvisation impulses interpretation Jean Genet kind Konnie Konstantin Stanislavsky Laertes language lecture lives Macbeth Marowitz mask matter means merely Method actor mind modern Moscow Arts movement nature needs Neil Simon never object once Ophelia original paradox physical play play's playwright precisely production psychological psychotic question realism reality rehearsals result rhythm Richard Richard III role scene sense Shakespeare situation social sound sound-and-movement Spalding Gray speak speech stage Stanislavsky Strasberg style sub-text theatre Theatre of Cruelty theatrical things tion transform truth trying ur-text verse vocal voice words work-out