The Pelican Guide to English Literature: The age of ShakespearePenguin Books, 1963 |
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Seite 158
... represent , to suggest , to stimulate , not to imitate a real person but to represent an imaginary one . All that was needed was a text , some bodies and voices trained to make us imagine what was in it , and a space on which the voices ...
... represent , to suggest , to stimulate , not to imitate a real person but to represent an imaginary one . All that was needed was a text , some bodies and voices trained to make us imagine what was in it , and a space on which the voices ...
Seite 161
... represent . A real chair might serve as a chair and a post as a tree , whilst a real man appeared as an actor . But ... representing imaginary scenes in which actors created character and incident by making the words of an author come ...
... represent . A real chair might serve as a chair and a post as a tree , whilst a real man appeared as an actor . But ... representing imaginary scenes in which actors created character and incident by making the words of an author come ...
Seite 257
... represent the last stage in the artist's development . It was followed by a series of plays , written apparently between 1608 and 1611 ( Pericles , Cymbeline , The Winter's Tale , and The Tempest ) , which are closely related to one ...
... represent the last stage in the artist's development . It was followed by a series of plays , written apparently between 1608 and 1611 ( Pericles , Cymbeline , The Winter's Tale , and The Tempest ) , which are closely related to one ...
Inhalt
BORIS FORD | 7 |
L G SALINGAR | 15 |
IAN WATT | 119 |
Urheberrecht | |
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