And last for that sad shrouded eye That, fires not pleads not - weeks not _now_ Anand but for that cold Whose, touch tells And curdles to chilling from. Mortality Gazer's heart As if to him it could impart The doom he only looks upon, but for there & there alone. сте Ye So fair 30 We still might doubt little throu so softly sealed calm_ the tyrants pones The first - last look - by Death revealed! III Marriage Signatures of Lord and Lady Byron I have heard any one who fulfilled Orator. Holland is impropêne and sincerity - Lot Lam downe a debaton only_ le would for but sti like rastly if le =ches down to an Bolial School and Burdett is sweet and silvery himself ལ Peel- my as form: follan - (we sate within two of each otha strage to say I have never leand-thogh crushed to do n thardd be him at Han on amany the best of L'univers est une espèce de livre, dont on n'a lu que la première page quand on n'a vu que son pays. J'en ai feuillete un assez grand nombre, que j'ai trouvé également mauvaises. Cet examen ne m'a point été infructueux. Je haissais ma patrie. Toutes les impertinences des peuples divers, parmi lesquels j'ai vécu, m'ont reconcilié avec elle. Quand je n'aurais tiré d'autre bénéfice de mes voyages que celui-là, je n'en regret terais ni les frais ni les fatigues. LE COSMOPOLITE.1 11 PREFACE [TO THE FIRST AND SECOND CANTOS.] THE following poem was written, for the most part, amidst the scenes which it attempts to describe. It was begun in Albania; and the parts relative to Spain and Portugal were composed from the author's observations in those countries. Thus much it may be necessary to state for the correctness of the descriptions. The scenes attempted to be sketched are in Spain, Portugal, Epirus, Acarnania, and Greece. There, for the present, the poem stops: its reception will determine whether the author may venture to conduct his readers to the capital of the East, through loma and Phrygia: these two Cantos are merely experimental. A fictitious character is introduced for the sake of giving some connection to the piece; which, however, makes no pretensions to regularity. It has been suggested to me by friends, on whose opinions I set a high value, that in this fictitious character, "Childe Harold," I may incur the suspicion of having intended some real personage: this I beg leave, once for all, to disclaim-Harold is the child of imagination, for purpose I have stated. In some very trivial particulars, and those merely local, there might be grounds for such a notion; but in the main points, I should hope, none whatever. the It is almost superfluous to mention that the appellation "Childe," as "Childe Waters," "Childe Par M. de Montbron, Paris, 1798. Lord Byron somewhere calls it "an amusing little volume, full of French fippancy."] Childers," &c., is used as more consonant with the old structure of versification which I have adopted. The "Good Night," in the beginning of the first canto, was suggested by "Lord Maxwell's Good Night," in the Border Minstrelsy, edited by Mr. Scott. With the different poems which have been published on Spanish subjects, there may be found some slight coincidence in the first part, which treats of the Peninsula, but it can only be casual; as, with the exception of a few concluding stanzas, the whole of this poem was written in the Levant. The stanza of Spenser, according to one of our most successful poets, admits of every variety. Dr. Beattie makes the following observation :-" Not long ago, I began a poem in the style and stanza of Spenser, in which I propose to give full scope to my inclination, and be either droll or pathetic, descriptive or sentimental, tender or satirical, as the humor strikes me; for, if I mistake not, the measure which I have adopted admits equally of all these kinds of composition." Strengthened in my opinion by such authority, and by the example of some in the highest order of Italian poets, I shall make no apology for attempts at similar variations in the following composition; satisfied that, if they are unsuccessful, their failure must be in the execution rather than in the design, sanctioned by the practice of Ariosto, Thomson, and Beattie. London, February, 1812. 2["Byron, Joannini in Albania. Begun Oct. 31st, 1809. Con cluded Canto 2d, Smyrna, March 28th, 1810. Byron."-MS | 3 Beattie's Letters. |