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Bestowed upon his new Czarina
The fatal name of Katerina;
And as Monseigneur l'Archevêque
Chose to baptize her à la Grecque,
'T was Katerina with a K:
He rued it to his dying day.
Nay, died, as I observed before,
The sooner on that very score.
The Princess quickly learnt her cue,
Improved upon the part of shrew,
And as the plot began to thicken,
She wrung his head off like a chicken;
In short, this despot of a wife

Robbed the poor man of crown and life;
And robbing Peter paid not Paul,

But cleared the stage of great and small.

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Besides these genial pleasantries, many shorter poems on local and temporary subjects enlivened the brilliant circle of which Miss Catherine Fanshawe formed so precious an ornament. Many have perished, as occasional verses will perish, however happy. I insert one specimen to show how her lively fancy could embellish the merest trifle.

When the Regent's Park was first laid out, she parodied the two well-known lines from Pope's "Elegy on an Unfortunate Lady:"

"Here shall the spring its earliest sweets bestow,
Here the first roses of the year shall blow,"

and by only altering one word of the first line, and a single letter of the second, changed their entire meaning, and rendered them applicable to the new resort of the Londoners:

"Here shall the spring its earliest coughs bestow,
Here the first noses of the year shall blow."

One wonders what Pope would have thought of such a parody. It is really a great honour. But would he have thought so?

XIV.

MARRIED POETS.

ELIZABETH BARRETT BROWNING. ROBERT BROWNING.

MARRIED poets! Charming words are these, significant of congenial gifts, congenial labours, congenial tastes ;-quiet and sweet resources of mind and of heart, a long future of happiness live in those two words. And the reality is as rare as it is charming. Married authors we have had of all ages and of all countries; from the Daciers, standing stiff and stately under their learning, as if it were a load, down to the Guizots, whose story is so pretty that it would sound like a romance to all who did not know how often romance looks pale beside reality; from the ducal pair of Newcastle, walking stately and stiff under their strawberry-leafed coronets, to William and Mary Howitt, ornaments of a sect to whom coronets are an abomination. Married authors have been plentiful as blackberries, but married poets have been rare indeed! The last instance, too, was rather a warning than an example. When Caroline Bowles changed her own loved and honoured name, to become the wife of the great and good man Robert Southey, all seemed to promise fairly, but a slow and fatal disease had seized him even before the wedding-day, and darkened around him to the hour of his death. In the pair of whom I am now to speak, the very reverse of this sad destiny has happily befallen, and the health of the bride, which seemed gone for ever, has revived under the influence of the climate of Italy, of new scenes, new duties, a new and untried felicity.

Elizabeth Barrett Browning is too dear to me as a friend to be spoken of merely as a poetess. Indeed, such is the influence of her manners, her conversation, her temper, her thousand sweet and attaching qualities, that they who know her best are apt to lose sight altogether of her learning and of her genius, and to think of her only as the most charming person that they have ever met. But she is known to so few, and the peculiar characteristics of her writings,—their purity,

their tenderness, their piety, and their intense feeling of humanity and of womanhood,-have won for her the love of so many, that it will gratify them, without, I trust, infringing on the sacredness of private intercourse, to speak of her not wholly as a poetess, but a little as a woman. When in listening to the nightingale, we try to catch a glimpse of the shy songster, we are moved by a deeper feeling than curiosity.

My first acquaintance with Elizabeth Barrett commenced about fifteen years ago. She was certainly one of the most interesting persons that I had ever seen. Everybody who then saw her said the same; so that it is not merely the impression of my partiality, or my enthusiasm. Of a slight, delicate figure, with a shower of dark curls falling on either side of a most expressive face, large tender eyes, richly fringed by dark eyelashes, a smile like a sunbeam, and such a look of youthfulness, that I had some difficulty in persuading a friend, in whose carriage we went together to Chiswick, that the translatress of the "Prometheus" of Eschylus, the authoress of the “Essay on Mind," was old enough to be introduced into company, in technical language was out. Through the kindness of another invaluable friend, to whom I owe many obligations, but none so great as this, I saw much of her during my stay in town. We met so constantly and so familiarly that, in spite of the difference of age, intimacy ripened into friendship, and after my return into the country, we corresponded freely and frequently, her letters being just what letters ought to be-her own talk put upon paper.

The next year was a painful one to herself and to all who loved her. She broke a blood-vessel upon the lungs which did not heal. If there had been consumption in the family, that disease would have supervened. There were no seeds of the fatal English malady in her constitution, and she escaped. Still, however, the vessel did not heal, and, after attending her for above a twelvemonth at her father's house in Wimpole Street, Dr. Chambers, on the approach of winter, ordered her to a milder climate. Her eldest brother, a brother in heart and in talent worthy of such a sister, together with other devoted relatives, accompanied her to Torquay, and there occurred the fatal event which saddened her bloom of youth, and gave a deeper hue of thought and feeling, especially of devotional feeling, to her poetry. I have so often been asked

what could be the shadow that had passed over that young heart, that, now that time has softened the first agony, it seems to me right that the world should hear the story of an accident in which there was much sorrow, but no blame.

Nearly a twelvemonth had passed, and the invalid, still attended by her affectionate companions, had derived much benefit from the mild sea-breezes of Devonshire. One fine summer morning, her favourite brother, together with two other fine young men, his friends, embarked on board a small sailing vessel, for a trip of a few hours. Excellent sailors all, and familiar with the coast, they sent back the boatmen, and undertook themselves the management of the little craft. Danger was not dreamt of by any one- —after the catastrophe no one could divine the cause; but, in a few minutes after their embarkation, and in sight of their very windows, just as they were crossing the bar, the boat went down, and all who were in her perished. Even the bodies were never found. I was told by a party who were travelling that year in Devonshire and Cornwall, that it was most affecting to see on the corner houses of every village street, on every church-door, and almost on every cliff, for miles and miles along the coast, handbills, offering large rewards for linen cast ashore, marked with the initials of the beloved dead; for it so chanced that all the three were of the dearest and the best-one, I believe, an only son, the other the son of a widow.

This tragedy nearly killed Elizabeth Barrett. She was utterly prostrated by the horror and the grief, and by a natural but a most unjust feeling that she had been, in some sort, the cause of this great misery. It was not until the following year that she could be removed in an invalid carriage, and by journeys of twenty miles a day, to her afflicted family and her London home. The house that she occupied at Torquay had been chosen as one of the most sheltered in the place. It stood at the bottom of the cliffs, almost close to the sea; and she told me herself that, during that whole winter, the sound of the waves rang in her ears like the moans of one dying. Still she clung to literature and to Greek; in all probability she would have died without that wholesome diversion to her thoughts. Her medical attendant did not always understand this. To prevent the remonstrances of her friendly physician, Dr. Barry, she caused a small edition of Plato to be

so bound as to resemble a novel. He did not know, skilful and kind though he were, that to her such books were not an arduous and painful study, but a consolation and a delight.

Returned to London, she began the life which she continued for so many years, confined to one large and commodious but darkened chamber, admitting only her own affectionate family and a few devoted friends (I, myself, have often joyfully travelled five-and-forty miles to see her, and returned the same evening, without entering another house); reading almost every book worth reading, in almost every language, and giving herself heart and soul to that poetry of which she seemed born to be the priestess.

Gradually her health improved. About four years ago she married Mr. Browning, and immediately accompanied him to Pisa. They then settled at Florence; and this summer I have had the exquisite pleasure of seeing her once more in London, with a lovely boy at her knee, almost as well as ever, and telling tales of Italian rambles, of losing herself in chestnut forests, and scrambling on mule-back up the sources of extinct volcanoes. May Heaven continue to her such health and such happiness!

In her abundant riches, it is difficult to select extracts. If I did not know her scorn of her own earlier works (for she was the most precocious of authoresses, wrote largely at ten years old, and more than well at fifteen)—if I were not aware of her fastidiousness, I should be tempted to rescue certain exquisite stanzas which I find printed at the end of her first version of the "Prometheus Bound"-for, dissatisfied with her girlish translation of the grand old Greek, she recommenced her labour, and went fairly through the drama from the first line to the last; but she has condemned the poem, and therefore I refrain.

Perhaps there is some personal preference in the selection I do make; since I first received it written in her own clear and beautiful manuscript on the fly-leaf of another volume, which she has also withdrawn from circulation. Besides being one of the earliest, it is amongst the most characteristic of her smaller poems.

THE SEAMEW.

How joyously the young seamew
Lay dreaming on the waters blue,

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