The Art of Speaking: Containing, I. An Essay; in which are Given Rules for Expressing Properly the Principal Passions and Humours, ... II. Lessons Taken from the Ancients and Moderns ...T. Longman, T. Field, C. Dilly, W. Goldsmith, D. Ogilvy and J. Speare, 1792 - 373 Seiten |
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Seite 13
... object ; gives affent , or denial , by different motions ; threatens by one fort of movement , approves by another , and expresses fufpicion by a third . The arms are fometimes both thrown out , fometimes the right alone . Sometimes ...
... object ; gives affent , or denial , by different motions ; threatens by one fort of movement , approves by another , and expresses fufpicion by a third . The arms are fometimes both thrown out , fometimes the right alone . Sometimes ...
Seite 14
... object to object , but not dwelling long upon any one . Cheerfulness , adds a fmile , opening the mouth a little more . Mirth , or laughter , opens the mouth ftill more towards the ears ; crifps the nofe ; leffens the aperture of the ...
... object to object , but not dwelling long upon any one . Cheerfulness , adds a fmile , opening the mouth a little more . Mirth , or laughter , opens the mouth ftill more towards the ears ; crifps the nofe ; leffens the aperture of the ...
Seite 15
... object ; and quits the cheerful afpect for one mixed between an affected grin and fournefs . The upper lip is drawn up with an air of disdain . The arms are fet a - kimbo on the hips ; and the right hand now and then thrown out to- ward ...
... object ; and quits the cheerful afpect for one mixed between an affected grin and fournefs . The upper lip is drawn up with an air of disdain . The arms are fet a - kimbo on the hips ; and the right hand now and then thrown out to- ward ...
Seite 17
... object , as fhields oppofed against it . One foot is drawn back behind the other , fo that the body feems brinking from the danger , and put- ting itself in a posture for flight . The heart beats violently ; the breath is fetched quick ...
... object , as fhields oppofed against it . One foot is drawn back behind the other , fo that the body feems brinking from the danger , and put- ting itself in a posture for flight . The heart beats violently ; the breath is fetched quick ...
Seite 19
... object of entire unmixed approbation ; otherwise its expreffion is much the fame as granting . See Granting . Arguing requires a tool , fedate , attentive afpect , and a clear , flow , emphatical accent , with much demonftration by the ...
... object of entire unmixed approbation ; otherwise its expreffion is much the fame as granting . See Granting . Arguing requires a tool , fedate , attentive afpect , and a clear , flow , emphatical accent , with much demonftration by the ...
Häufige Begriffe und Wortgruppen
Accus AFFECT againſt APOL APPREHENS arms becauſe body Caius Verres confequence confiderable CONT CONTEMPT dead death defign defire Diodotus doft Doub enemy ENQU expreffed eyes faid fame father fear fecure feem feen fenfe fentence feven fhall fhew fhould fleep fome fometimes foon foul fpeaker fpeaking fpeech ftate ftill fubjects fuch fuffer fufficient fuperior fuppofe fure Ghoft Ghoſt Greece GRIEF hand heaven himſelf honour hope HORROR Humph Iago INTR INTREAT itſelf Jugurtha king leaſt lefs loft Longh look manner matter moft moſt muft muſt myſelf NARRA Nick Bottom Numidia occafion orator ourſelves paffage paffions perfon Peter Quince PITY pleafing pleaſe pleaſure Pray prefent QUEST Quintilian raiſe reafon REMON rife Roman ſay Scythians ſhall Shyl Shylock ſpeak ſpoken ſtate thee thefe themſelves theſe thing thofe thoſe thou thought TION uſed VENERA VEXAT voice whofe whoſe wife words
Beliebte Passagen
Seite 115 - The bell strikes One. We take no note of time But from its loss : to give it then a tongue Is wise in man. As if an angel spoke I feel the solemn sound. If heard aright, It is the knell of my departed hours. Where are they? With the years beyond the flood.
Seite 92 - Fairest of stars, last in the train of night, If better thou belong not to the dawn, Sure pledge of day, that crown'st the smiling morn With thy bright circlet, praise Him in thy sphere, While day arises, that sweet hour of prime.
Seite 100 - To sigh for ribands if thou art so silly, Mark how they grace Lord Umbra or Sir Billy. Is yellow dirt the passion of thy life ? Look but on Gripus or on Gripus
Seite 44 - Our words flow from us in a smooth continued stream, without those strainings of the voice, motions of the body, and majesty of the hand, which are so much celebrated in the orators of Greece and Rome. We can talk of life and death in cold blood, and keep our temper in a...
Seite 93 - His praise, ye Winds, that from four quarters blow, Breathe soft or loud ; and, wave your tops, ye Pines, With every plant, in sign of worship wave. Fountains, and ye that warble, as ye flow, Melodious murmurs, warbling tune his praise.
Seite 240 - With eyes darting fury, and a countenance distorted with cruelty, he orders the helpless victim of his rage to be stripped, and rods to be brought ; accusing him, but without the least shadow of evidence, or even of suspicion, of having come to Sicily as a spy.
Seite 210 - I'll look up; My fault is past. But, O, what form of prayer Can serve my turn? 'Forgive me my foul murder?
Seite 276 - Awaked, should blow them into sevenfold rage And plunge us in the flames? or from above Should intermitted vengeance arm again His red right hand to plague us?
Seite 93 - Of Nature's womb, that in quaternion run Perpetual circle, multiform ; and mix And nourish all things ; let your ceaseless change Vary to our great Maker still new praise.
Seite 145 - O thou that, with surpassing glory crown'd, Look'st from thy sole dominion, like the god Of this new world, at whose sight all the stars Hide their diminish'd heads, to thee I call, But with no friendly voice, and add thy name, 0 sun, to tell thee how I hate thy beams, That bring to my remembrance from what state 1 fell, how glorious once above thy sphere...