Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 6Gale Research Company, 1984 |
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Seite 151
... tragic figures and whether their love is a truly tragic passion . He contends that the diversity of responses to these questions provided by the vairous characters is underscored by the way in which the dramatic action repeatedly swings ...
... tragic figures and whether their love is a truly tragic passion . He contends that the diversity of responses to these questions provided by the vairous characters is underscored by the way in which the dramatic action repeatedly swings ...
Seite 304
... tragic hero should . In the excerpt below , the critic describes Richard II as an experiment designed to bring Shakespeare closer to " his own idea of tragedy , " and though Charlton concludes that it falls short , mainly because ...
... tragic hero should . In the excerpt below , the critic describes Richard II as an experiment designed to bring Shakespeare closer to " his own idea of tragedy , " and though Charlton concludes that it falls short , mainly because ...
Seite 352
... tragic experience . . . . [ The ] submission of the audience to tragic experience will only occur when the dramatist himself appears to be lost in that experience , and when the tragic character is lost in his tragic situation , to the ...
... tragic experience . . . . [ The ] submission of the audience to tragic experience will only occur when the dramatist himself appears to be lost in that experience , and when the tragic character is lost in his tragic situation , to the ...
Inhalt
Preface | 7 |
Richard II | 241 |
The Two Gentlemen of Verona | 429 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Actium Antony and Cleo Antony and Cleopatra Antony's argues asserts audience Aumerle battle of Actium becomes Bishop of Carlisle Bolingbroke Caesar character Charmian critic crown death deposed divine Dolabella dramatic earth Egypt Egyptian elements Elizabethan emotion Enobarbus Eros essay date excerpt feeling final Flint Castle Gaunt give grief hath heart heaven Henry Henry IV hero heroic honor human imagery imagination judgment Julius Caesar king King Lear king's kingship language Lear Lepidus lord lovers Macbeth means moral Mowbray nature noble Octavius Othello paradox passion patra play play's Plutarch poet poetic poetry political Pompey present protagonists queen reality rhetoric Richard Richard II Roman Rome Romeo and Juliet royal says scene seems sense Shake Shakespeare speaks speare speare's speech suggests thee theme things thou thought throne tragedy tragic triumph true usurper vision woman words York