Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 6Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 80
Seite 96
... royal ' . In Antony and Cleopatra the word ' royal ' is royal because it is made royal . Therefore it crowns the close - twice in a dozen lines . Now boast thee , death , in thy possession lies A lass unparallel'd . Downy windows ...
... royal ' . In Antony and Cleopatra the word ' royal ' is royal because it is made royal . Therefore it crowns the close - twice in a dozen lines . Now boast thee , death , in thy possession lies A lass unparallel'd . Downy windows ...
Seite 269
... royal hands . [ III . ii . 4-11 ] Which sentimental favors form a graceful incident in the play of Richard's life , but can hardly compensate the want of true and manly patriotism . This same earth which Richard caressed with ...
... royal hands . [ III . ii . 4-11 ] Which sentimental favors form a graceful incident in the play of Richard's life , but can hardly compensate the want of true and manly patriotism . This same earth which Richard caressed with ...
Seite 369
... royal title and office is too lofty to admit the possibility that a rival might take over his function . He knows himself King by right of due succession and divine will , and is convinced that no earthly power can depose him . His ...
... royal title and office is too lofty to admit the possibility that a rival might take over his function . He knows himself King by right of due succession and divine will , and is convinced that no earthly power can depose him . His ...
Inhalt
Preface | 7 |
Richard II | 241 |
The Two Gentlemen of Verona | 429 |
Urheberrecht | |
2 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Actium Antony and Cleo Antony and Cleopatra Antony's argues asserts audience Aumerle battle of Actium becomes Bishop of Carlisle Bolingbroke Caesar character Charmian critic crown death deposed divine Dolabella dramatic earth Egypt Egyptian elements Elizabethan emotion Enobarbus Eros essay date excerpt feeling final Flint Castle Gaunt give grief hath heart heaven Henry Henry IV hero heroic honor human imagery imagination judgment Julius Caesar king King Lear king's kingship language Lear Lepidus lord lovers Macbeth means moral Mowbray nature noble Octavius Othello paradox passion patra play play's Plutarch poet poetic poetry political Pompey present protagonists queen reality rhetoric Richard Richard II Roman Rome Romeo and Juliet royal says scene seems sense Shake Shakespeare speaks speare speare's speech suggests thee theme things thou thought throne tragedy tragic triumph true usurper vision woman words York