Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 6Gale Research Company, 1984 |
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Seite 178
... kind of reader acknowledges this and , albeit reluctantly , applies the rules anyway ; another kind of reader invents counter - rules by which to convert aesthetic re- sponsiveness into justifiable admiration . The problem of ...
... kind of reader acknowledges this and , albeit reluctantly , applies the rules anyway ; another kind of reader invents counter - rules by which to convert aesthetic re- sponsiveness into justifiable admiration . The problem of ...
Seite 399
... kind of stark disorder in the placing of names and words dominates the last scenes of the play - or the first phase of Bolingbroke's reign . It is caused mainly by reactions to the discovery that Aumerle and others are conspiring to ...
... kind of stark disorder in the placing of names and words dominates the last scenes of the play - or the first phase of Bolingbroke's reign . It is caused mainly by reactions to the discovery that Aumerle and others are conspiring to ...
Seite 543
... kind of linguistic game . In the next scene this perspective is delightfully main- tained by Julia's coquetry over Proteus ' letter , both in the duologue with Lucetta and in her one - woman show with the letter as the only prop . In a ...
... kind of linguistic game . In the next scene this perspective is delightfully main- tained by Julia's coquetry over Proteus ' letter , both in the duologue with Lucetta and in her one - woman show with the letter as the only prop . In a ...
Inhalt
Preface | 7 |
Richard II | 241 |
The Two Gentlemen of Verona | 429 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Actium Antony and Cleo Antony and Cleopatra Antony's argues asserts audience Aumerle battle of Actium becomes Bishop of Carlisle Bolingbroke Caesar character Charmian critic crown death deposed divine Dolabella dramatic earth Egypt Egyptian elements Elizabethan emotion Enobarbus Eros essay date excerpt feeling final Flint Castle Gaunt give grief hath heart heaven Henry Henry IV hero heroic honor human imagery imagination judgment Julius Caesar king King Lear king's kingship language Lear Lepidus lord lovers Macbeth means moral Mowbray nature noble Octavius Othello paradox passion patra play play's Plutarch poet poetic poetry political Pompey present protagonists queen reality rhetoric Richard Richard II Roman Rome Romeo and Juliet royal says scene seems sense Shake Shakespeare speaks speare speare's speech suggests thee theme things thou thought throne tragedy tragic triumph true usurper vision woman words York