The Plays of Christopher Marlowe and George Peele: Rhetoric and Renaissance SensibilityUniversal-Publishers, 1999 - 358 Seiten This work is concerned with the evaluation of rhetoric as an essential aspect of Renaissance sensibility. It is an analysis of the Renaissance world viewed in terms of literary style and aesthetic. Eight plays are analysed in some detail: four by George Peele: The Battle of Alcazar, Edward I, David and Bethsabe, and The Arraignment of Paris; and four by Christopher Marlowe: Dido Queen of Carthage, Tamburlaine Part One, Dr Faustus and Edward II. The work is thus partly a comparative study of two important Renaissance playwrights; it seeks to establish Peele in particular as an important figure in the history and evolution of the theatre. Verbal rhetoric is consistently linked to an analysis of the visual, so that the reader/viewer is encouraged to assess the plays holistically, as unified works of art. Emphasis is placed throughout on the dangers of reading Renaissance plays with anachronistic expectations of realism derived from modern drama; the importance of Elizabethan audience expectation and reaction is considered, and through this the wider artistic sensibility of the period is assessed. |
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... according to him, subsume 'the individual subject within a social unit.'5 This view of rhetoric was indissolubly linked to the ideals of the new Humanism. During the Renaissance, great emphasis was given to the capacities of the human ...
... According to Cicero , a wise eloquence was a political contribution to a civilized society . Renaissance rhetoric , then , had as its very basis , a broad ethical conception . But this was a dynamic ethic : such an ethos involved a ...
... according to Erasmus , is. 10 Baldwin, II, 176-96. 11 Desiderius Erasmus, De duplici copia uerborum ac rerum commentarii duo, trans. by B. I. Knott, in The Collected works of Erasmus, ed. by R. A. B. Mynors, D. F. S. Thomson and others ...
Rhetoric and Renaissance Sensibility Brian B. Ritchie. True style , then , according to Erasmus , is a result of the two abundances , the two copias , expression and matter.12 This is why his treatise is not simply a set of academic ...
... according to the traditional pattern of exordium, narratio, divisio, confirmatio, refutatio, and conclusio. Book four deals with elocutio and is largely a list, with examples, of figures of speech. For an additional source of inventio ...
Inhalt
1 | |
31 | |
49 | |
69 | |
David and Bethsabe and the Clash between Ethos and Delectatio | 100 |
The Arraignment of Paris Court Ritual and the Resolution | 134 |
Christopher Marlowe Critical Approaches | 164 |
Dido Queen of Carthage Mortals versus Gods and the Ethos | 197 |
Ethical SelfCreation in Tamburlaine Part One | 223 |
Doctor Faustus and the Tragedy of Delight | 266 |
Edward II The Emergence of Realism and the Emptiness | 303 |
Conclusion | 323 |
Bibliography | 341 |
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The Plays of Christopher Marlowe and George Peele: Rhetoric and Renaissance ... Brian B. Ritchie Eingeschränkte Leseprobe - 1999 |