Shakespeare's Dramatic Art: History and Character of Shakespeare's Plays, Band 1G. Bell and sons, 1876 |
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Seite x
... nature of poetry . I am , therefore , convinced that every living poet , were he to be asked , would — in spite of the realism to which he perhaps inclines - support me when say that he too has his own view of life , which not only ...
... nature of poetry . I am , therefore , convinced that every living poet , were he to be asked , would — in spite of the realism to which he perhaps inclines - support me when say that he too has his own view of life , which not only ...
Seite 45
... nature , are one and the same thing . For the comic , of course , is the very natural opposite of every exaggerated sublimation of the mind , the sworn enemy of fantastic ideals , as of all thoughts and opinions , that are opposed to ...
... nature , are one and the same thing . For the comic , of course , is the very natural opposite of every exaggerated sublimation of the mind , the sworn enemy of fantastic ideals , as of all thoughts and opinions , that are opposed to ...
Seite 51
... nature in Italy . It is the form- giving , thought - embodying principle of individuality and truth to nature , which in Heywood's dramas takes that one- sided form of distinctness , through which all art has to pass before it can find ...
... nature in Italy . It is the form- giving , thought - embodying principle of individuality and truth to nature , which in Heywood's dramas takes that one- sided form of distinctness , through which all art has to pass before it can find ...
Seite 102
... nature , and as it raised the mind beyond the finite and freed it from the limits of space and time , so it also released art from those fetters which were nothing but the consequence of this state of bondage . Ancient poetry in its ...
... nature , and as it raised the mind beyond the finite and freed it from the limits of space and time , so it also released art from those fetters which were nothing but the consequence of this state of bondage . Ancient poetry in its ...
Seite 124
... nature and object of the old Moralities with the demands of the then existing state of art . It is , as it were , both a Moral and a Miracle Play in the spirit of the age of Greene and Marlowe , but just thereby a striking proof that ...
... nature and object of the old Moralities with the demands of the then existing state of art . It is , as it were , both a Moral and a Miracle Play in the spirit of the age of Greene and Marlowe , but just thereby a striking proof that ...
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according accordingly action already ancient appear beauty Ben Jonson blank verse character characterisation Collier colouring comedy comic composition death diction doubt dramatic art Dyce edition element endeavoured English drama Engravings especially exhibited expression external fact feeling give Gorboduc Greene's Hamlet hand hence Henry Henry VI hero Heywood honour human idea ideal intention Jonson Juliet King King Lear language lastly latter Lear London lyrical Macbeth manner Marlowe Marlowe's marriage merely mind moral Moral Plays motives nature noble Othello passion peculiar persons piece play poems poet poetical poetry popular Portrait possess printed probably proved Queen racter reality regards relation representation represented Romeo Romeo and Juliet scenes Sejanus Shak Shakspeare Shakspeare's Sonnets soul Spanish Tragedy spirit stage Stratford style Tamburlaine tendency theatre thought tion Titus Andronicus tragedy tragic pathos Translated true unity verse vols whole words written
Beliebte Passagen
Seite 214 - O for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide, Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Seite 238 - TWO loves I have of comfort and despair, Which like two spirits do suggest me still: The better angel is a man right fair, The worser spirit a woman colour'd ill. To win me soon to hell, my female evil Tempteth my better angel from my side, And would corrupt my saint to be a devil, Wooing his purity with her foul pride...
Seite 193 - Yes, trust them not: for there is an upstart crow beautified with our feathers, that with his tiger's heart, wrapt in a player's hide, supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
Seite 417 - No more of that : — I pray you, in your letters, When you shall these unlucky deeds relate, Speak of me as I am ; nothing extenuate, Nor set down aught in malice : then must you speak Of one, that lov'd not wisely, but too well...
Seite 474 - What may this mean, That thou, dead corse, again in complete steel Revisit'st thus the glimpses of the moon, Making night hideous ; and we fools of nature So horridly to shake our disposition With thoughts beyond the reaches of our souls ? Say, why is this ? wherefore ? what should we do ? Ghost beckons HAMLET.
Seite 215 - Tired with all these, for restful death I cry: As, to behold desert a beggar born. And needy nothing trimm'd in jollity, And purest faith unhappily forsworn, And gilded honour shamefully misplaced, And maiden virtue rudely strumpeted, And right perfection wrongfully disgraced, And strength by limping sway disabled, And art made tongue-tied by authority, And folly doctor-like controlling skill, And simple truth miscall'd simplicity, And captive good attending captain ill.
Seite 226 - Why is my verse so barren of new pride ? So far from variation or quick change ? Why, with the time, do I not glance aside To new-found methods and to compounds strange ? Why write I still all one, ever the same, And keep invention in a noted weed...
Seite 472 - O, what a noble mind is here o'erthrown ! The courtier's, soldier's, scholar's, eye, tongue, sword : The expectancy and rose of the fair state, The glass of fashion and the mould of form, The observed of all observers, quite, quite down!
Seite 227 - tis true, I have gone here and there And made myself a motley to the view, Gor'd mine own thoughts, sold cheap what is most dear, Made old offences of affections new.
Seite 232 - If music and sweet poetry agree, As they must needs, the sister and the brother, Then must the love be great 'twixt thee and me, Because thou lov'st the one, and I the other. Dowland to thee is dear, whose heavenly touch Upon the lute doth ravish human sense ; Spenser to me, whose deep conceit is such, As, passing all conceit, needs no defence. 110 Thou lov'st to hear the sweet melodious sound That Phoebus...