Characters of Shakespear's PlaysC.H. Reynell, 1817 - 352 Seiten |
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Seite 1
... interest becomes more aerial and refined from the principle of perspective introduced into the subject by the imaginary changes of scene as well as by the length of time it occupies . The reading of this play is like going a journey ...
... interest becomes more aerial and refined from the principle of perspective introduced into the subject by the imaginary changes of scene as well as by the length of time it occupies . The reading of this play is like going a journey ...
Seite 3
... interest- ing from the interest she takes in him , and she is only interesting herself from her tenderness and constancy to her husband . It is the pecu- liar characteristic of Shakespear's heroines , that they seem to exist only in ...
... interest- ing from the interest she takes in him , and she is only interesting herself from her tenderness and constancy to her husband . It is the pecu- liar characteristic of Shakespear's heroines , that they seem to exist only in ...
Seite 9
... of character and to maintain a continuity of feeling throughout , has not been sufficiently attended to . In CYMBELINE , for instance , the principal interest arises out of the unalterable fidelity of Imogen to CYMBELINE .
... of character and to maintain a continuity of feeling throughout , has not been sufficiently attended to . In CYMBELINE , for instance , the principal interest arises out of the unalterable fidelity of Imogen to CYMBELINE .
Seite 10
William Hazlitt. interest arises out of the unalterable fidelity of Imogen to her husband under the most trying circumstances . Now the other parts of the pic- ture are filled up with subordinate examples of the same feeling , variously ...
William Hazlitt. interest arises out of the unalterable fidelity of Imogen to her husband under the most trying circumstances . Now the other parts of the pic- ture are filled up with subordinate examples of the same feeling , variously ...
Seite 21
... interest and family aggrandisement , not amenable to the common feelings of compas- sion and justice , which is so marked a feature in barbarous nations and times . A passing reflec- tion of this kind , on the resemblance of the ...
... interest and family aggrandisement , not amenable to the common feelings of compas- sion and justice , which is so marked a feature in barbarous nations and times . A passing reflec- tion of this kind , on the resemblance of the ...
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Häufige Begriffe und Wortgruppen
admirable affections answer Antony Apemantus banished Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona doth eyes Falstaff fancy father fear feeling fool fortune friends genius give Gonerill grace grave Hamlet hath hear heart heaven Henry honour Hubert human Iago imagination Juliet Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince racter refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shake Shakespear shew shewn Sir Toby sleep soul speak spear speech spirit story striking sweet tender thee thing thou art thought tion Titus Andronicus tongue tragedy true truth unto wife wild words Yorkshire Tragedy youth
Beliebte Passagen
Seite 174 - I'll kneel down, And ask of thee forgiveness. So we'll live, And pray, and sing, and tell old tales, and laugh At gilded butterflies, and hear poor rogues Talk of court news ; and we'll talk with them too, Who loses,- and who wins ; who's in, who's out ; And take...
Seite 222 - All murder'd: for within the hollow crown That rounds the mortal temples of a king Keeps Death his court and there the antic sits, Scoffing his state and grinning at his pomp, Allowing him a breath, a little scene, To monarchize, be fear'd and kill with looks...
Seite 351 - When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon myself, and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope...
Seite 259 - A blank, my lord. She never told her love, But let concealment, like a worm i...
Seite 36 - Would he were fatter: — But I fear him not. Yet if my name were liable to fear, I do not know the man I should avoid So soon as that spare Cassius. He reads much ; He is a great observer, and he looks Quite through the deeds of men...
Seite 187 - God save him ; No joyful tongue gave him his welcome home : But dust was thrown upon his sacred head ; Which, with such gentle sorrow he shook off, His face still combating with tears and smiles, The badges of his grief and patience, That had not God, for some strong purpose, steel'd The hearts of men, they must perforce have melted, And barbarism itself have pitied him.
Seite 151 - O my love ! my wife ! Death, that hath suck'd the honey of thy breath, Hath had no power yet upon thy beauty : Thou art not conquer'd ; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there.
Seite 87 - O, let not virtue seek Remuneration for the thing it was ; For beauty, wit, High birth, vigour of bone, desert in service, Love, friendship, charity, are subjects all To envious and calumniating time.
Seite 352 - That time of year thou may'st in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang.
Seite 156 - This is the excellent foppery of the world, that, when we are sick in fortune, — often the surfeit of our own behaviour, — we make guilty of our disasters the sun, the moon, and the stars...