The lives of the English poetsF. C. and J. Rivington, 1823 |
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Seite 70
... his Essay on the Classicks , that Cowley was beloved by every Muse that he courted ; and that he has rivalled the Antients in every kind of poetry but tragedy . It may be affirmed , without any encomiastick fer- vour 70 COWLEY .
... his Essay on the Classicks , that Cowley was beloved by every Muse that he courted ; and that he has rivalled the Antients in every kind of poetry but tragedy . It may be affirmed , without any encomiastick fer- vour 70 COWLEY .
Seite 116
... tragedy , beginning with the first ten lines of Satan's address to the Sun. These mysteries consist of allegorical persons ; such as Justice , Mercy , Faith . Of the tragedy or mys- tery of " Paradise Lost " there are two plans ...
... tragedy , beginning with the first ten lines of Satan's address to the Sun. These mysteries consist of allegorical persons ; such as Justice , Mercy , Faith . Of the tragedy or mys- tery of " Paradise Lost " there are two plans ...
Seite 127
... can discover . Some find the hint in an Italian tragedy . Voltaire tells a wild and unauthorized story of a farce seen by Milton in Italy , which opened thus : Let the Rainbow be the Fiddlestick of the Fiddle of Heaven * . It MILTON . 127.
... can discover . Some find the hint in an Italian tragedy . Voltaire tells a wild and unauthorized story of a farce seen by Milton in Italy , which opened thus : Let the Rainbow be the Fiddlestick of the Fiddle of Heaven * . It MILTON . 127.
Seite 128
... tragedy or mystery , not of a narrative , but a drama- tick work , which he is supposed to have begun to re- duce to its present form about the time ( 1655 ) when he finished his dispute with the defenders of the king . He long before ...
... tragedy or mystery , not of a narrative , but a drama- tick work , which he is supposed to have begun to re- duce to its present form about the time ( 1655 ) when he finished his dispute with the defenders of the king . He long before ...
Seite 140
... tragedy written in imita- tion of the Ancients , and never designed by the author for the stage . As these poems were published by another bookseller , it has been asked , whether Simmons was discouraged from receiving them by the slow ...
... tragedy written in imita- tion of the Ancients , and never designed by the author for the stage . As these poems were published by another bookseller , it has been asked , whether Simmons was discouraged from receiving them by the slow ...
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Häufige Begriffe und Wortgruppen
Absalom and Achitophel admired Æneid afterwards Almanzor appears beauties better blank verse censure character Charles Charles Dryden composition Comus confessed considered Cowley criticism death delight diction diligence dramatick Dryden Duke Duke of Guise Earl Earl of Rochester elegance English epick excellence fancy faults favour friends genius heroick honour Hudibras images imagination imitation John Dryden kind King knowledge known labour lady language Latin learning lines Lord Marriage à-la-mode means ment Milton mind musick nature never NIHIL numbers opinion Paradise Lost passions performance perhaps Philips play pleasing pleasure poem poet poetical poetry praise preface produced publick published reader reason remarks rhyme Rochester satire says seems sentiments shew sometimes style supposed thing Thomas Farnaby thou thought tion told tragedy translation truth Tyrannick Love verses versification Virgil virtue Waller words write written wrote
Beliebte Passagen
Seite 338 - From harmony, from heavenly harmony This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
Seite 64 - Damn with faint praise, assent with civil leer, And without sneering, teach the rest to sneer; Willing to wound and yet afraid to strike, Just hint a fault and hesitate dislike; Alike...
Seite 115 - ... combinations. The shepherd likewise is now a feeder of sheep, and afterwards an ecclesiastical pastor, a superintendent of a Christian flock. Such equivocations are always unskilful; but here they are indecent, and at least approach to impiety, of which, however, I believe the writer not to have been conscious. Such is the power of reputation justly acquired, that its blaze drives away the eye from nice examination. Surely no man could have fancied that he read Lycidas with pleasure, had he not...
Seite 66 - O could I flow like thee, and make thy stream My great example, as it is my theme! Though deep, yet clear, though gentle, yet not dull, Strong without rage, without o'er-flowing full.
Seite 91 - I have a particular reason," says he, " to remember; for whereas I had the perusal of it from the very beginning, for some years, as I went from time to time to visit him, in parcels of ten, twenty, or thirty verses at a time, which, being written by whatever hand came next, might possibly want correction, as to the orthography and pointing...
Seite 347 - I am as free as Nature first made man, ^) Ere the base laws of servitude began, > When wild in woods the noble savage ran.
Seite 85 - Whether we provide for action or conversation, whether we wish to be useful or pleasing, the first requisite is the religious and moral knowledge of right and wrong; the next is an acquaintance with the history of mankind, and with those examples which may be said to embody truth, and prove by events the reasonableness of opinions. Prudence and justice- are virtues and excellences of all times and of all places. We are perpetually moralists ; but we are geometricians only by chance.
Seite 305 - is Tonson. You will take care not to depart before he goes away; for I have not completed the sheet 'which I promised him ; and if you leave me unprotected I must suffer all the rudeness to which his resentment can prompt his tongue.
Seite 347 - Next to argument, his delight was in wild and daring sallies of sentiment, in the irregular and eccentrick violence of wit. He delighted to tread upon the brink of meaning, where light and darkness begin to mingle ; to approach the precipice of absurdity, and hover over the abyss of unideal vacancy.
Seite 347 - No, there is a necessity in Fate, Why still the brave bold man is fortunate; He keeps his object ever full in sight, And that assurance holds him firm and right; True, 'tis a narrow way that leads to bliss, \ But right before there is no precipice ; \ Fear makes men look aside, and so their footing miss...