Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 03.07.1995 - 500 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 151
... tragic hero . The most significant difference between Shakespeare's mature tragic practice and Aristotle's tragic theory is that while Aristotle at one point says that " pity is aroused by unmerited misfortune , " Shakespeare insists on ...
... tragic hero . The most significant difference between Shakespeare's mature tragic practice and Aristotle's tragic theory is that while Aristotle at one point says that " pity is aroused by unmerited misfortune , " Shakespeare insists on ...
Seite 225
... tragic figure , in the sense in which Hamlet , for example , is a truly tragic figure . Whatever Hamlet's fault , it is not an inability to reflect . Had Timon really thrown away his money on noble objects , like a true banquet , in ...
... tragic figure , in the sense in which Hamlet , for example , is a truly tragic figure . Whatever Hamlet's fault , it is not an inability to reflect . Had Timon really thrown away his money on noble objects , like a true banquet , in ...
Seite 250
... tragic pattern must be registered , for there are other shifts of tone to follow , and another ( more obvious ) tragic blunder to be established . Titus is offered the Empery , and declines it ; but he accepts the role of arbitrator ...
... tragic pattern must be registered , for there are other shifts of tone to follow , and another ( more obvious ) tragic blunder to be established . Titus is offered the Empery , and declines it ; but he accepts the role of arbitrator ...
Inhalt
Shakespeare and Classical Civilization | 1 |
Antony and Cleopatra | 81 |
Timon of Athens | 154 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Aaron Achilles action Aeneas Aeneid Alcibiades allusions ancient Antony and Cleopatra Antony's Apemantus Athenian audience becomes Brutus character Chiron classical Cleo comedy contrast Coriolanus critics death Demetrius Dido dramatic Elizabethan English Enobarbus essay date fact friends give gods Goths Greek Hamlet hath Hector Hecuba Hercules hero Homer human Iliad Jonson Julius Caesar King language Latin Lavinia Lear live lord lovers Lucius Lucrece Marcus Mars means Metamorphoses moral nature noble Octavius Ovid Ovid's Ovidian passion patra peare peare's Plautus play's Plutarch poem poet poetry political queen rape Renaissance revenge rhetoric Roman plays Rome Saturninus says scene seems Sejanus Senate Seneca sense Shakes Shakespeare Shakespeare's Roman speak speech stage story style suggests Tamora Tereus thee things thou thought Timon of Athens tion Titus Andronicus Titus's tradition tragedy tragic translation Troilus and Cressida Troy Ulysses values Venus Vergil virtue words