Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 03.07.1995 - 500 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 61
... tragedy or comedy , though we know that the editors ' original intention was to put it among the tragedies . And scholars at different times have isolated small groups of plays and seen them as cohering within themselves , although ...
... tragedy or comedy , though we know that the editors ' original intention was to put it among the tragedies . And scholars at different times have isolated small groups of plays and seen them as cohering within themselves , although ...
Seite 228
... tragedy of Athens is hardly the tragedy of Timon , for Timon is no Lear or Hamlet , but it is a political tragedy , quite possibly the most complete political tragedy in Shakespeare . Not only are there no women . There are also no gods ...
... tragedy of Athens is hardly the tragedy of Timon , for Timon is no Lear or Hamlet , but it is a political tragedy , quite possibly the most complete political tragedy in Shakespeare . Not only are there no women . There are also no gods ...
Seite 305
... Tragedy most likely inspired Shakespeare's dramaturgy . There , Hieronimo , the master artist , adapts a play - The Tragedy of Soliman and Perseda - for the festivities fol- lowing Balthazar's and Bel - imperia's wedding , which unites ...
... Tragedy most likely inspired Shakespeare's dramaturgy . There , Hieronimo , the master artist , adapts a play - The Tragedy of Soliman and Perseda - for the festivities fol- lowing Balthazar's and Bel - imperia's wedding , which unites ...
Inhalt
Shakespeare and Classical Civilization | 1 |
Antony and Cleopatra | 81 |
Timon of Athens | 154 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Aaron Achilles action Aeneas Aeneid Alcibiades allusions ancient Antony and Cleopatra Antony's Apemantus Athenian audience becomes Brutus character Chiron classical Cleo comedy contrast Coriolanus critics death Demetrius Dido dramatic Elizabethan English Enobarbus essay date fact friends give gods Goths Greek Hamlet hath Hector Hecuba Hercules hero Homer human Iliad Jonson Julius Caesar King language Latin Lavinia Lear live lord lovers Lucius Lucrece Marcus Mars means Metamorphoses moral nature noble Octavius Ovid Ovid's Ovidian passion patra peare peare's Plautus play's Plutarch poem poet poetry political queen rape Renaissance revenge rhetoric Roman plays Rome Saturninus says scene seems Sejanus Senate Seneca sense Shakes Shakespeare Shakespeare's Roman speak speech stage story style suggests Tamora Tereus thee things thou thought Timon of Athens tion Titus Andronicus Titus's tradition tragedy tragic translation Troilus and Cressida Troy Ulysses values Venus Vergil virtue words