Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 03.07.1995 - 500 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 44
... tells him to leave : i , sequere Italiam ventis , pete regna per undas ( 381 “ Go then , before the winds to Italy . Seek out your kingdom over seas " ) . Likewise , Cleopatra reminds Antony of his former suppliance and tells him to ...
... tells him to leave : i , sequere Italiam ventis , pete regna per undas ( 381 “ Go then , before the winds to Italy . Seek out your kingdom over seas " ) . Likewise , Cleopatra reminds Antony of his former suppliance and tells him to ...
Seite 101
... tells Cleopatra that Antony was responsible for the defeat because he " would make his will / Lord of his reason . " When Antony challenges Octavius to single combat , Enobarbus com- ments in soliloquy that Caesar has subdued his ...
... tells Cleopatra that Antony was responsible for the defeat because he " would make his will / Lord of his reason . " When Antony challenges Octavius to single combat , Enobarbus com- ments in soliloquy that Caesar has subdued his ...
Seite 282
... Tell us what Sinon hath bewitch'd our ears , Or who hath brought the fatal engine in That gives our Troy , our Rome , the civil wound . ( V.iii . 80-87 ) Lucius tells the tale of woe , but he cannot tell , because he cannot perceive ...
... Tell us what Sinon hath bewitch'd our ears , Or who hath brought the fatal engine in That gives our Troy , our Rome , the civil wound . ( V.iii . 80-87 ) Lucius tells the tale of woe , but he cannot tell , because he cannot perceive ...
Inhalt
Shakespeare and Classical Civilization | 1 |
Antony and Cleopatra | 81 |
Timon of Athens | 154 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Aaron Achilles action Aeneas Aeneid Alcibiades allusions ancient Antony and Cleopatra Antony's Apemantus Athenian audience becomes Brutus character Chiron classical Cleo comedy contrast Coriolanus critics death Demetrius Dido dramatic Elizabethan English Enobarbus essay date fact friends give gods Goths Greek Hamlet hath Hector Hecuba Hercules hero Homer human Iliad Jonson Julius Caesar King language Latin Lavinia Lear live lord lovers Lucius Lucrece Marcus Mars means Metamorphoses moral nature noble Octavius Ovid Ovid's Ovidian passion patra peare peare's Plautus play's Plutarch poem poet poetry political queen rape Renaissance revenge rhetoric Roman plays Rome Saturninus says scene seems Sejanus Senate Seneca sense Shakes Shakespeare Shakespeare's Roman speak speech stage story style suggests Tamora Tereus thee things thou thought Timon of Athens tion Titus Andronicus Titus's tradition tragedy tragic translation Troilus and Cressida Troy Ulysses values Venus Vergil virtue words