Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 03.07.1995 - 500 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 82
Seite 225
... sense , referring to a free man's giving , the first uses of Timon's money suggest that he is right . Per- haps he ... sense chiefly associated with feasts , predominates . Taste is " nurse and feeder " to the other senses . The sensuous ...
... sense , referring to a free man's giving , the first uses of Timon's money suggest that he is right . Per- haps he ... sense chiefly associated with feasts , predominates . Taste is " nurse and feeder " to the other senses . The sensuous ...
Seite 322
... sense throughout the drama of the period , and needs no special comment here . Device , as Titus uses it , carries a related double sense which can yield further insights into the relationship of playwright's craft to revenger's ...
... sense throughout the drama of the period , and needs no special comment here . Device , as Titus uses it , carries a related double sense which can yield further insights into the relationship of playwright's craft to revenger's ...
Seite 382
... sense it is a delightful , cheerful , comical play , and much of the comedy is far from black . The sense of enjoyment in the first act is overwhelming , the exchanges , both rhetorical and collo- quial , more exultantly masterful than ...
... sense it is a delightful , cheerful , comical play , and much of the comedy is far from black . The sense of enjoyment in the first act is overwhelming , the exchanges , both rhetorical and collo- quial , more exultantly masterful than ...
Inhalt
Shakespeare and Classical Civilization | 1 |
Antony and Cleopatra | 81 |
Timon of Athens | 154 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Aaron Achilles action Aeneas Aeneid Alcibiades allusions ancient Antony and Cleopatra Antony's Apemantus Athenian audience becomes Brutus character Chiron classical Cleo comedy contrast Coriolanus critics death Demetrius Dido dramatic Elizabethan English Enobarbus essay date fact friends give gods Goths Greek Hamlet hath Hector Hecuba Hercules hero Homer human Iliad Jonson Julius Caesar King language Latin Lavinia Lear live lord lovers Lucius Lucrece Marcus Mars means Metamorphoses moral nature noble Octavius Ovid Ovid's Ovidian passion patra peare peare's Plautus play's Plutarch poem poet poetry political queen rape Renaissance revenge rhetoric Roman plays Rome Saturninus says scene seems Sejanus Senate Seneca sense Shakes Shakespeare Shakespeare's Roman speak speech stage story style suggests Tamora Tereus thee things thou thought Timon of Athens tion Titus Andronicus Titus's tradition tragedy tragic translation Troilus and Cressida Troy Ulysses values Venus Vergil virtue words