Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 03.07.1995 - 500 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 138
... poet . “ I will tell you , " he says , introducing the speech that creates one of Cleopatra's greatest scenes . Only the telling will do it : the physical spectacle we have beheld is ambiguous at best . This scene , in contrast , is not ...
... poet . “ I will tell you , " he says , introducing the speech that creates one of Cleopatra's greatest scenes . Only the telling will do it : the physical spectacle we have beheld is ambiguous at best . This scene , in contrast , is not ...
Seite 139
... poet is a liar , Sidney points out that the golden world of poetry is not amenable to ordinary truth - criteria : the poet " nothing affirmes , and therefore never lyeth " : What childe is there that , comming to a Play , and seeing ...
... poet is a liar , Sidney points out that the golden world of poetry is not amenable to ordinary truth - criteria : the poet " nothing affirmes , and therefore never lyeth " : What childe is there that , comming to a Play , and seeing ...
Seite 162
... Poet and the Painter , but they do not actually appear until Timon has talked with some Bandits and had a long con- versation with Flavius . Then , as many critics have noted , there is a great contrast between the magnificent verse of ...
... Poet and the Painter , but they do not actually appear until Timon has talked with some Bandits and had a long con- versation with Flavius . Then , as many critics have noted , there is a great contrast between the magnificent verse of ...
Inhalt
Shakespeare and Classical Civilization | 1 |
Antony and Cleopatra | 81 |
Timon of Athens | 154 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Aaron Achilles action Aeneas Aeneid Alcibiades allusions ancient Antony and Cleopatra Antony's Apemantus Athenian audience becomes Brutus character Chiron classical Cleo comedy contrast Coriolanus critics death Demetrius Dido dramatic Elizabethan English Enobarbus essay date fact friends give gods Goths Greek Hamlet hath Hector Hecuba Hercules hero Homer human Iliad Jonson Julius Caesar King language Latin Lavinia Lear live lord lovers Lucius Lucrece Marcus Mars means Metamorphoses moral nature noble Octavius Ovid Ovid's Ovidian passion patra peare peare's Plautus play's Plutarch poem poet poetry political queen rape Renaissance revenge rhetoric Roman plays Rome Saturninus says scene seems Sejanus Senate Seneca sense Shakes Shakespeare Shakespeare's Roman speak speech stage story style suggests Tamora Tereus thee things thou thought Timon of Athens tion Titus Andronicus Titus's tradition tragedy tragic translation Troilus and Cressida Troy Ulysses values Venus Vergil virtue words